The most holographic imaging I've ever heard has been in a friends JBL M2's. I haven't listened extensively but the thing that is particularly astonishing is the "size" of the localized images of various instruments. This is all in classical music. Rather than even slightly larger than life images the individual instruments seem to be there hanging in space in a way I've never experienced with any other system. Driven by a decent but far from spectacular front end consisting of one of the better Parasound preamps, an Oppo, and these huge digital crown amplifiers that have to be kept in an adjacent room because of fan noise. I need to listen more to that system but off the top of my head it all just seems far too esoteric to me. The aesthetics of those speakers are not my cup of tea and I don't have an adjacent room for the requisite crown amps that also run the dsp crossover/eq of that system. When I first saw it I rolled my eyes a bit but hearing is believing. They are also setup in a great room, great rectangular room, probably 5 feet to the rear wall and maybe 8 feet or more to the side walls.
How important is it for you to attain a holographic image?
I’m wondering how many A’goners consider a holographic image a must for them to enjoy their systems? Also, how many achieve this effect on a majority of recordings?
Is good soundstaging enough, or must a three dimensional image be attained in all cases. Indeed, is it possible to always achieve it?
Is good soundstaging enough, or must a three dimensional image be attained in all cases. Indeed, is it possible to always achieve it?
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- 328 posts total
- 328 posts total