Luciahd, you misquote me. I said the VR4jrs sounded "unnatural" when I auditioned them prior to the NY Highend Show, and I did not say they sound "midfi" if you read my posts carefully. At the Show, as I have stated over and over, the speakers really impressed me driven by the DK. I'm very sensitive to high frequency information - I literally can not walk a city block if I hear car brakes squeak. I hear what I hear, and I couldn't get over the high fequency "grit" of the VR4jr room at the Show.
I can't comment on the wood version of the 938s you heard because I was not there. But I can comment on the black 938s you heard at the Show because I was there. The room was small and I do agree with you to some extent on the bass and high freq performance at the Show. I also heard them at the '94 NY show, and they sounded so different. They were in a larger room, the same size as the VR4jrs were in at this years show, and they were the best sound at the Show for me in '94. So much so I bought them based on the show performance. They're comparable and in some ways better than Apogees and stat setups I was used to because of the dynamics of the 938s.
As for Pink Floyd's DSOTM, I have the SACD version and played it through my 938s using the 70lb class A Junson integrated amp. Let me tell you, the imaging, bass, and dynamics were on par with the VR4jr setup at the Show and without the high frequency "grit" I heard through the VR4jrs. Too bad the Jungson developed a problem just as it was starting to open up, and I had to return it for a replacement. So I can't agree with you when you say the 938s are only good for small jazz combo or pop.
I don't know if the high freq anomaly is inherent in the VR4jrs, but I have heard similar anomaly on different setups through the VR4jrs. May be a really high quality class A amp may get rid of the problem. I have not heard this problem with the higher models from VS.
Hey, if the VR4jrs do it for you, congradulations! I'm happy for you. In the end, it's your ears that matter, not what others say. But it's always fun to have a friendly discourse.
I can't comment on the wood version of the 938s you heard because I was not there. But I can comment on the black 938s you heard at the Show because I was there. The room was small and I do agree with you to some extent on the bass and high freq performance at the Show. I also heard them at the '94 NY show, and they sounded so different. They were in a larger room, the same size as the VR4jrs were in at this years show, and they were the best sound at the Show for me in '94. So much so I bought them based on the show performance. They're comparable and in some ways better than Apogees and stat setups I was used to because of the dynamics of the 938s.
As for Pink Floyd's DSOTM, I have the SACD version and played it through my 938s using the 70lb class A Junson integrated amp. Let me tell you, the imaging, bass, and dynamics were on par with the VR4jr setup at the Show and without the high frequency "grit" I heard through the VR4jrs. Too bad the Jungson developed a problem just as it was starting to open up, and I had to return it for a replacement. So I can't agree with you when you say the 938s are only good for small jazz combo or pop.
I don't know if the high freq anomaly is inherent in the VR4jrs, but I have heard similar anomaly on different setups through the VR4jrs. May be a really high quality class A amp may get rid of the problem. I have not heard this problem with the higher models from VS.
Hey, if the VR4jrs do it for you, congradulations! I'm happy for you. In the end, it's your ears that matter, not what others say. But it's always fun to have a friendly discourse.