Outstanding brands?


Just learned that zanden when set up correctly is simply one fine system.
What other brands could be considered to be in the same league.
My idea of a fine system is one that I get lost in the music and feel as thought the instruments are there positioned in front of me like in the concert hall. With the bass sounding realistic, and the air surrounding the instruments. Playing symphonic music is one good way to challenge the system, but I also listen to jazz, rock, brazilian, big band among others. As my system has gone through changes the sound has improved and each genre proves to be exciting.
Experienced a-goners know as we get closer to a realistic sounding system our ears get better we hear deeper into the soundstage and realize it is still a recording, but there are times for some reason or other there are moments that what we hear sounds damn real. The recording plays a big role no pun intended, just picked up some mercury's and london's, and it is an eye er ear opener to say the least.
In the end it is all about the music, the equipment is just a means. I still appreciate my car system and work place radio, but in those cases I am filling in the missing nuances and details.
pedrillo

Showing 5 responses by detlof

Zanden and Wavac play indeed in the same league, as does some Lamm gear. Not MBL to my ears, I don't like a guitar string plucked coming at me like a Mack truck in size. Ain't natural but it will impress some of course.....
"Just learned that Zanden when set up correctly is simply one fine system.
What other brands could be considered to be in the same league."
It certainly is. Other systems in the same league I am familiar with:
Wavac with Steve Nugent's Spoiler DAC. or with vinyl.
Atma-Sphere " " " " "
VTL " " " " "
I am sure there are others, but I am not familiar with their sound.
And yes, as you say, it is about the music and only the music and the dilemma Tpsonic writes about is not something I bother with as long as my system is doing what I assembled it for. It has to serve the music, so I can forget about the rig.
Mapman,
"Does it have something to do with the fact that they are omni's and the soundstage can go from wall to wall as would be the case listening to a live performance in most venues?"
Yes it does to my mind and just that is not natural to me.
A plugged guitar string should not go wall to wall, it should emanate from some point within the soundstage with high precision and natural in size (îf recorded right in the first place) and that is just that what (to my ears) the MBLs cannot do properly. To me they are for people who are unfamiliar with live concerts and I don't mean rock in big arenas. Of course they are impressive, but not particulary musical as far as I am concerned.
Good reasoning Mapmann, but allow me to remain sceptical. "Outstanding" is a subjective value statement, not an objectified label. I don't doubt that many people will find the MBLs outstanding as you find your OHMs. For me, I have some suspicion that they tend to screw with phase- the MBLs that is- and that is something I am finicky about. Opinions and tastes differ thankfully. Otherwise we would have nothing to talk about, would we.... (: