Preamp modifications - who would you use?

Thanks everyone, you have come up with some names that I didn't know about. Any more I should consider?

Hi guys,
Sorry for the inactivity. For some reason a response I wrote last night didn't post. Again, thanks for the great suggestions.

Tvad, no I am not modding the Lamm. I have actually sold it and moved on in a different direction - I do need to upgrade my system page but my gear has been changing a bit. BTW - I have conversed with another Lamm owner who has performed significant mods to his LL2 (caps, attenuators, diodes) and he says it is now comparable with anything out there.

The preamp I am considering to be modded is a MUSE Model Three Signature with outboard display and power supply. I now have the MUSE Erato II player as my source and by using the Model Three Signature I have a single remote to interface with my entire system - very convenient. The Model Three Signature actually sounds quite good for an older model $3,500 preamp and, to me, it is largely comparable sonically with most other higher priced preamps I have owned. It has a wealth of features that make it desirable for me to use so I would like to see if it can be improved sonically, even a little.

I don't want to make any fundamental changes but to mainly improve on the basic implementation, perhaps with better parts or other changes that could be recommended. It is based on dual Burr Brown chip volume controls, as used in the $10k Esoteric C03, so maybe it was a bit ahead of its time. The designer, Kevin Halverson, has told me he has heard other preamps that may equal the Three Signature, but in his opinion, none that are better. He may be a little biased, but it sounds good enough to me also.

Well...when it came down to it the potential pitfalls you mention definitely weighed in as a factor in choosing not to mod my LL2.

However, the modded LL2 I described had the best quality upgrade parts such as Dueland coupling caps, Eurocap bypass caps, DACT attenuators, RAM diode bridges, and Jensen electrolytics. The owner did not change the design and he did the work himself - a first rate job based on the pictures I saw. Unfortunately, I am not located in the same area and have not heard it. As you point out, modding includes risks - and the LL2 does sound great in its stock form. However, I would definitely buy that modded unit if it were ever posted for sale.

Bob reviewed some detailed pictures I sent over and we discussed potential outcomes but in the end I decided not to modify the MUSE and I sold it. My MUSE Erato II player
actually has an internal Model Three Signature active preamp module that can be engaged by connecting the player's variable outputs directly to the amps. However, I typically run it from the fixed outputs (which bypass the active module) to an outboard preamp.

I ended up using my Tom Evans preamp for over a year and then sending a TLC-1 to Steve McCormack at SMc Audio for his Ultimate Plus level mods. This basically ended up being a custom preamp crafted for my listening and connection preferences. Even the faceplate is custom and it looks great. I have only had it back for a short time and I am not prepared to make detailed comments or write a review but my initial impressions are very positive, placing it among the best preamps I have owned. I will post more about it later.

I believe mods are an excellent way to improve upon a component that is clearly lacking in some way.

Tvad, I agree with your observations regarding the risk of screwing up something that a good designer spent a considerable amount of time to design and spec. The Lamm may therefore be a poor example to use for this case. However, there are other examples where equipment was designed to a price point limiting the cost of components, where the equipment is older and the available parts quality has improved since the original design, and where newer technology has become available (such as in power filtration and regulation). Those types of examples may be more applicable here. I plan to start with a couple of the names on the list, send some pictures of the insides of the preamp and power supply, talk with them about what they believe can may be accomplished, and then decide how/if I want to proceed.

I appreciate the names provided here, several of which I did not initially consider, and I also found benefit in the general discussion regarding the risks of modding equipment.

Modifiers, like Dan Wright, who choose a component, study it and spend a good long time tinkering and testing, are a whole different story. Unless you choose a modifier who specializes in modifying your particular preamp, you’re unlikely to get that kind of analysis and testing.

That is a very good point Phaelon. In retrospect, it seems the most successful modifiers are either those like Dan Wright, Kyle Takenaga, and Steve Huntley, who spend considerable time developing their modifications and generally specialize in specific equipment, or the many others who modify/upgrade equipment they originally designed such as Steve McCormack, Jim White, Chris Johnson, Charles Hansen, and many others, including Kevin Halverson who has been outstanding in his support of existing customers upgrading to his latest models of digital equipment.

I have consulted with one of the individuals recommended above, who is looking at some detailed pictures of the preamp. Our understanding is that if something jumps out at him that he believes can be improved, we will discuss further. However, if that is not the case, I may just leave well enough alone (easy to say, hard to do after years of being a typical audiophle). I have been at this long enough to know that just because something is not as expensive as other products does not mean it cannot, or does not, sound as good. I also find it interesting that, as with other SS equipment such as the Tom Evans Vibe/Pulse I use to own, leaving the preamp on continuously for over a month now has had a positive effect on the sonics with perceptually greater extension, texture, and depth of stage.

Thanks Augiem. Although RHB specializes in tubed designs, they also work on solid state equipment. Bob and I had a nice conversation and he is taking a look at the preamp for me.