Turntables


I am kicking the idea of trying out vinyl. It’s been a long time since I had a turntable and it took a lot of thought whether I can deal with what always seemed like the snap, crackle & pops of an album. Anyway, I’ve decided to take a plunge after all the buzz how awesome it is. Of course before I make any final decisions, I always turn to the Audiogon community for their expert thoughts, opinions and education. I’m also looking for suggestions for a nice affordable table with tone arm and cartridge. Being the fact this is new to me and I may hate it, I’m looking for suggestions on the best affordable set up I can do for a new or used in the price range of $1000/$1500. I’m sure I can get a better bang for the buck going used. I just don’t know anything about these animals. My system is older but I still enjoy it which consist of a Mark Levinson 23.5 amp, Proceed AVP 2+6 used for 2 channel audio, Audio Acoustics model 9 speakers, Ayre DAC for digital with Transparent Audio Ultra mm2 cables. Any input is greatly appreciated!
128x128luvrockin

Showing 9 responses by last_lemming

A Scout is a great table. I had one, but they hold their value. I don’t see how you can get a Scout/cart/pre/ for your $1500. I suppose you could buy the Scout and really cheap ancillaries but you will get what you pay for. Remember ALL the components of a TT set up are important for good sound. Even the base you sit it on. 
If your going to dip your toes into vinyl and compare it to good digital and be satisfied you wii need to pick the right gear or it will be a let down. And yes that means a certain amount of $$$ will need to expended or you simply won’t be happy. Ask me how I know. 

The Rega RP6 deal seems to be a no brainer.  And you can’t go wrong. 

 Like someone said buying used has the benefit of more gear for the dollar plus resale advantage if you choose to move on. 

But I believe the credo “buy once, cry once” up to the point of deminishing returns. 

I think the best advice for you is the 1200gr. It a great product at a very reasonable price. Mass production allows them to sell such a product so low. 

So the table is $1700 +/-, you could get a Nagaoka MP-500 cart for $650, then you will need a preamp, budget min $700 used or $1000 +/- new, and don’t forget a decent phono cable at around $150.  That would be my suggestion to you for an initial budget.

im sure there are just as many other combos, but this budget is real if you don’t want to be disappointed.  


I do agree that if you’re going to get into this hobby you have to make sure you can adjust and set up your own turntable or else changes are almost impossible without spending money at a dealer every time. Takes the fun away for sure. Plus once you know how to set up a turntable you really begin to understand what makes it work and what you can do to change the sound. 
Do you have no where you can go and listen to a good vinyl set up just to see if it would even be worth your while?
 That’s a solid choice but you will need to learn to set it up. I own a VPI Prime and it can be finicky the first few times you try to set it up but once you understand the idiosyncrasies you’ll be fine. 

 I agree with others best to go for a decent cart and spend the money on a good pre. 

Ortofon should be a good starting point for you
I believe digital or vinyl completely depends on the personality type, not so much which one necessarily sounds better.

I dont believe the personality manifests itself the same in everybody, but I believe each persons road to vinyl is chosen due to certain qualities in life they have experienced and desire. And it’s how and why they learn to desire these qualities that directs them to their particular format.

For instance, I’m an architect, for me having createable control with something authentic is important. So you can see that being able to pick the pieces (cart, table, phono pre, loading, alighnment, etc), and having a piece of vinyl with physical gooves you can see and feel (but don’t!) with your eyes and hands, and finally placing it on the table watching the platter spin, then dropping the needle and hearing the drop has a tangle quality that would appeal to me. It is "me" that controls the final sound, and it is me that reaps the benefits or not, thus there is a greater reward for all my diligence. It takes a certain level of craft in TT design that appeals to an architect as well.  There is also the uniqueness aspect for me, being that every LP is unique (ticks, pops, pressing, etc) that adds to its authenticity. 

Now compare that to my brother, a NASA rocket engineer who desires efficient, exact design with minimal error, what do you think he listens to?

BTW I’m sure there are many engineers who listen to vinyl, I’m saying given my brothers specific life experiences, anyone who would meet him would bet,he’d be a digital guy - and you’d be right.