Vandersteen 2C vs. Klipsch Cornwall

Thanks for the replies so far and please keep them coming.

I own the 2Cs and I've heard other Vandys; I know the 5 is popular and I really liked the 4 when I heard those. I dismissed Klipschs (and JBLs and a bunch of other stuff) in the 1970s, and I know that from an audiophile perspective that the Vandy's are theoretically more tonally accurate and phase coherent, etc., and I realize we're talking "apples and rutabegas" as Swampwalker says, but something that Jaybo said resonated with me highly: "just get me off this merry-go round", and also "screw hi end, let's rock".

I'm a big ARC fan and have had several of their tube amps and preamps; currently I'm driving the the 2Cs with an ARC solid state D400MkII - which is surprisingly good and has plenty of guts; no doubt the system gear is all reasonably good including an ARC CD3MkII. But I had a chance to hear a pair of Cornwalls that were driven by an all-in-one (CD, tuner, amp nearly a boom box) with probably 26 gauge speaker wire with both speakers sitting side by side (a foot apart) in a small bedroom and I could tell there was a lot of fun music coming out; and there are clearly a lot of big fans of Cornwalls who have very happily kept their speakers for many years. And I'm thinking set up properly in a room with a good 300B amp they might just boogie but still be "delicate" and "defined" with good "texture" and most importantly, get me out of "analytic land". On the other hand, they might be fatiguing and short lived.

The thought of a 100dB or so sensitivity speaker that could let a tube amp do some magic is kind of intriguing - but since I prejudicially ruled out Klipsch (and some other brands) about 35 years ago it’s kind of hard to go over to the “not real official high end gear dark side”. But maybe it’s worth a try?

In general, I’d day that if after 35 years I’m still looking, I haven’t found what I’m seeking, and so maybe I ought to look elsewhere. Having said that, a few years ago I went on the full ascent and went for some Soundlab M3 electrostats and some mondo ARC and VTL tube amps and I determined that I could never get from here to there not because the SLs and the tube gear wasn’t great (the system was awesome in several respects; the detail, definition, and imaging were exquisite) but because my room is marginal at best; it’s almost big enough (about 18 x 12) but after listening and studying my room carefully with a spectrum analyzer I discovered my room just has crummy dimensions, reflections, nulls, etc. that all result in some strange frequency response curve. I came to the conclusion that the room is half or more of the end result, sold the gear and gave up. If I could build a custom room (probably along the lines of what Cardas recommends), I'd go back to the Soundlab electrostat and deluxe tube gear route, no doubt.

Anyway, being a committed hifi-er - I can quit any time I want, I just don’t want to :), I started over again with the Vandy 2Cs (and some DQ-10s which are also very good), but I’m stuck again and it’s probably the room – but just maybe, for some reason, even with or despite the room issues, the Cornwalls and a Sophia 300B would be the ticket. Or maybe the room is just lousy and I should quit fighting acoustics and physics.

- one last thing: I read that the big Klipsch's want to be in the corners, but that smaller models like the Cornwalls are less room placement sensitive; it's hard for me to understand how speakers don't have to couple with the room in some particular respect includng positioning relative to each other and relative to the the room in order to get a coherent image and a proper frequency response, but maybe Cornwalls can sound good, or at least "fun" in a wider range of rooms than more traditional "high end" gear?

My goal use to be to have near perfect music reproduction including accurate frequency response, with great air, imaging, texture, definition, and detail - but at this point, I'd settle for enjoyable and fun. I just want to put on the music and enjoy the music.

I guess the answer is "it's probably just one more crap shoot investment in some gear that could probably be resold, so why not give it a try?" - but any advice is appreciated.

Thanks

Viridian, that was very helpful - thanks. A few questions, please/thanks:
1. When you mentioned pinpoint imaging, do you mean the Klipsch's have no pinpont imaging or that they have almost no imaging at all other than "stereo"?
2. Please say more about what box coloration means and how much of it exists with the Klipsch's vs. the Vandys and how that impacts the musical enjoyement or lack thereof.
3. Are you saying the Klipsch's have as much weight or more weight or a lot more weight vs. the Vandys? Is that a reference mostly to the low end, or something else?
4. What does dynamic sweep mean?

I do like "pinpoint imaging" but I'm not getting that in my room from the Vandys; I did get it from the Soundlabs in the same room - although that could be the difference between not only the speakers but also the ARC solid state amp used with the Vandys and the ARC tube amps used with the SLs.

And to your point, I would definitely like to get past my Diana Krall and half a dozen other AB recordings. Your description of the Kipsch/tube amp experience seems pretty encouraging.

- one last question; can you typically put the Cornwalls right up against the back wall without getting bloat or do they need to be out some distance?

Thanks - and if any other posters want to chime in, all comments are highly welcome!

Viridian, another very cool post - Thanks!

"But there is a price to pay. Put your hands around your mouth and talk. What you hear is a coloration. A horn coloration. A little boxy, and a little nasal. My sensory gating tends to not even notice it in my horns, but it is there, all of the time. Every minute. And high sensitivity speakers require big boxes, which are less dead and resonate more than small, well braced boxes. Rap a wood table, what you hear is box coloration."
- so color means boxy, as opposed to open and airy?

"But the edge definition is softer at the edges of the image without the sharp image outlines that the best speakers present. And detail is clearer on most direct radiators."
- why is this, what causes it? (lack of cut down baffles like on Vandys and DQ-10s? maybe the big conventional driver doing too much of the mid frequencies? or something else?)

"I am in my local audio club and when I listen to my friends great systems - much greater than mine - I, and they, listen to the bass, the treble, the image, whatever. Horns put the presentation together in a way that mitigates that type of analysis."
- I would be happy to get off the analysis program

The Vandy 2C supposedly goes down to about 32Hz +/-1.5dB (but in my room they don't seem to get there); the Cornwall to 38Hz +/-3dB. What would you guess would be the real world hearable differences between the two on the low end?

- on a different note, do you have any preference between a 300B, 2A3, 45, or EL34, or other amp design with Klipsch's?

"Descriptions like 'open and airy' will be gone from your vocabulary. The band will be in your living room."

- Jaybo, that's pretty interesting; this whole thing almost seems not just counter-intuitive, but counter to everything I've trained myself to believe about hifi; kind of like switching from being a democrat to a republican or vice versa :)

In hifi, with electrostats the open and airy sound (a long with great 3D imaging and lots of definition and detail) has been one of the sounds I've enjoyed the most. Having said that, when I go to hear live music I never hear open and airy. In fact, expecially with rock n roll, when I go to hear live music I look around at the amps and speakers and neither the gear or the sound seems much like my system or any good hifi system I've heard. So, your comment that the band will be your room might just be a good realization.

" "- on a different note, do you have any preference between a 300B, 2A3, 45, or EL34, or other amp design with Klipsch's?"

Yes, I do, but I will not go into that. "

- Come on Veridian, don't hold anything back - your insight has been excellent - tells us about your thinking on the amp designs. Thx

Hi Viridian, sorry about the mis-spelling above and thanks again for your help/info.

I have the regular 2C - had them for a long time; bought a pair of 2Ce Signture II and tried them but didn't like them as much as the 2C; the Sig IIs sounded kind of coarse/gruff (an overly harsh term but that's the direction of the sonic attributes I heard) compared to the 2C. So I sold them and sent my 2C pair back to Vandersteen for a complete refurb to make sure they were at tip top operating condition (even got some nice cherry caps to replace the older caps and some new grill clothes, plus maybe a replacement midrange or two; it's been awhile). The 2Cs are good and I have a pair of DQ-10s that are different but highly competitive; it's probably just another merry go round episode, but I'm hoping the Cornwalls play better in my room (up against the wall vs. the Vandy's that are in the standard Cardas positions); and the SET route seems pretty enticing. I guess what I've taken out of this is that everyone has their opinions and preferences but maybe the Cornwalls aren't completely a crazy idea and per one post here by Jaybo they could be an 11 on a cool factor scale of 10 :)

Mostly, I think the room has a huge impact on any system; I think the room might influence half of the overall result, or maybe more. So, short of designing a room, or selecting a specific room (which aren't options for me) it's largely a matter of trial and error to get some synergy between the speakers and the room. I appreciate everyone weighing in on the Cornwalls and any particular SET amp preferences - it helps with the thinking/decision process.