VTL Tetrode/Triode

Oh well, my highly anticipated (by me) MB-185/tetrode vs. MB-250/triode showdown will have to wait...I decided not to buy this pair of the latter amps for other reasons. (Didn't get to audition them in the seller's system either - just his replacement Halo JC-1's.) Don't cry for me though; my amps still sound great! (In either mode :-)

On my MB-450 (and they have plenty of power), I now only listen to Triode with solo instruments (or solo voice). For everything else, Tetrode is far superior in overall satisfaction. Even with small ensembles (duos, trios, quartets, etc.), Tetrode gets the timing right, the individuals come together and really play as a group.

As an example where this is easy to hear, try Brahms piano trios, e.g., Trio No.3, op. 101, Fontenay trio (on Teldec), first movement, when the piano gets really hammered. In Triode mode, the piano is just too loud, reverberates, is simply overbearing, and the overall melodic structure gets lost. With tetrode, what a difference. Sure, the trio is farther back in the room, but the melodic structure is intact. And it puts a smile on my face!

Happy listening.

Hgabert - This is what I wonder: could tetrode mode be inherently superior in some ways, or are your observational results mostly a manifestation of the power issue? I have a feeling that all inherent superiority may actually lie with triode mode, but that for certain music - played back beyond a certain volume, through certain speakers in certain sized rooms - the power advantage of tetrode will out, even with 450's. The comparison in your case would presumably be your 450's in tetrode vs. a pair of 750's in triode. I realize that the 200+ watts available from your amps in triode seems like plenty of power, but I can sometimes reach the limits of those same watts with my amps in tetrode, and I think there's a reason VTL makes the 750's and 1250's.

As mentioned above, I was more of your frame of mind before I swapped the 6550C's for the KT-88EH's. The 6550C's didn't quite seem to thrive in triode the way the KT-88EH's do. And as of very recently, the amps are now powered through an ExactPower EP-15a voltage regulator/waveform correction unit (along with the rest of the system, followed as usual by the balanced power isolation tranformers in my API Power Wedge Ultra for the sources and pre), and there's even more physical specificity and consistent clarity on tap in either mode.

Hmm . . . good points, Zaikesman. I've never listened to the MB-750 in triode mode in my room, and they could certainly sound better than the 450 in tetrode. Who knows?

But the comparison here is tetrode/triode for a given unit, and yes, maybe that's unfair to triode (with only half the power). However, listening to small-scale ensembles shouldn't tax the power requirements too much.

As far as your swapping of tubes is concerned, do you need to do anything special before you swap KT-88s for 6550s in your MB-185? I'm wondering if I could do the same, if I had the urge to do that at some point in time. And what did you do with your input/driver (phase-splitter) tubes? Did you change them as well? Just curious.

Zaikesman is absolutely correct in his response above what your describing in triode is power limitations problem definitely had the 450 just wasn't quite enough power in triode sometimes so now have 750 no more power limitation issues. The 750 is sonically better than the 450 and it's not just because of the added power its just better in every way possible. If your VTL doesn't have the infini caps currently I would highly recommended you get them installed they are a rather significant improvement in my system for sure.