Cinepro Line Balancers work very well in two systems of mine, but I'd still follow Blueswan's advice to put in a dedicated AC line and work on the room. If you know nothing you should read F. Alton Everest's "Master Handbook of Acoustics" (4th edition only) or his "Sound Studio Construction on a Budget", especially if you have any DIY capability, a home workshop in particular. The room is a huge factor in the final sonic product, and, especially if you can substitut DIY for commercial products, a lot less expensive to raise to world class status than the other components of your system. Why not see how good your present electronics and speakers can sound?
improving my system, please help
I have just got a system together recently after a period of no system at all (wife factor). I currently have a CJ PV-7 pre-amp, Oddessy Stratus amp (120,000 uf upgrade), Adcom GCD-750 CD player, Martin Logan SL-3, Gronberg interconnects, Tara Labs (not sure the model) bi-wire speaker cables, isolation cones on the pre and cd player. I have no sound treatments, nor do I understand anything about them. I am on a more restrictive budget than most here on Audiogon. I am considering going to Stratus monos, upgrading to a CJ PV-5/BAT 3i or 5i/Rogue 66 or 99 and perhaps swapping out the GCD-750 for a transport/DAC setup. I am also planning on bringing in 2 dedicated lines and purchasing a HT-2000 for use with all but the amps. If I were to use the HT-2000, would I still benefit by using a dedicated line? any suggestions will be greatly appreciated.
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- 16 posts total
- 16 posts total