First Order Crossovers: Pros and Cons


I wonder if some folks might share their expertise on the question of crossover design. I'm coming around to the view that this is perhaps the most significant element of speaker design yet I really know very little about it and don't really understand the basic principles. Several of the speakers I have heard in my quest for full range floorstanders are "first order" designs. I have really enjoyed their sound but do not know if this is attributable primarily to the crossover design or to a combination of other factors as well. In addition, I have heard that, for example, because of the use of this crossover configuration on the Vandersteen 5 one has to sit at least 10 feet away from the speakers in order for the drivers to properly mesh. Is this really true and if so why? Another brand also in contention is the Fried Studio 7 which also uses a first order design. Same issue? Could someone share in laymans terms the basic principles of crossover design and indicate the advantages and disadvantages of each. Also, what designers are making intelligent choices in trying to work around the problems associated with crossover design? Thanks for your input.
dodgealum
Viridian. You are no doubt correct. My reference to Joseph's "contribution" was to the thread, not the technology.
Ah, the JSE Infinite Slopes...

I really liked the smaller ones (1, 1.2(?) and 1.8), and owned a pair. As you moved up in the food chain (2 and 4), I found them to have a tendency to sound boring, and goodness knows, I gave them a chance. Heard a pair of 4s a year ago, and still found them lacking in excitement. Overall, nice speakers and I miss the company a lot. That notwithstanding, Jeff Joseph is a prince of a guy, and his speakers are pretty special.
Dodgealum, oops, sorry, I missed the reference. I'm kind of a designer groupie anyway, colors my perceptions.
I find it curious how little mention there is of Joseph Audio speakers in these forums. Given how great they always seem to sound at shows, I would expect them to be more popular. Limited distribution, I guess. Too pricey? Maybe. But look at Verity, who get discussed fairly often here.
Dogelealum, your very welcome. For a better understanding of phase and it's effect on music and human hearing, check out the link below. It looks interesting and well-performed. The test tones and limited music tests were good choices for "having to start somewhere", and the bibliography shows they studied a great deal of other professional research. The headphones results were higher than the speakers', I think, because the speakers they listened to had a great deal of phase shift to begin with (Genenlec). It's pretty involved.....but really interesting reading.
http://www.music.miami.edu/programs/mue/Research/dkoya/title_page.htm