GMA Callisto VS. Merlin TSM

minbean,
as you know the tsm mm is extremely continuous from top to bottom. you also know that the speakers do not have a dip in the midrange and imho, a silver cable will be a better fit with a typical speaker with a bbc style dip in the mids. the tsm mm or mx is better suited to a finely stranded copper wire like the audience au24 or cardas golden ref(litz) or even mit. these will retain the clearity and relax/flesh out the sound so more music will be able to be appreciated. for your work you may like the silver wire interface but for music appreciation you may prefer the copper wire. it is of couse, up to you.
glad you are enjoying them,
bobby

Bobby, you are right!
Both in sound pressure and tone, it is very continuous from top to bottom and by no way I could tell the seam between the bands.
When I said "...more forgiving...", I was not really hoping to make it that way. I meant that it might be necessary for some situations I can expect.
Even without more forgiving changes, TSM-MM's are truely musical.
Also, they are not picky to lose musical quality of some recordings but to show the flaws of the recordings.
I will still try different cables to enjoy more of what TSM-MM can do.
Thanks again Bobby for the healthy suggestions.

Minbean,
Never did I say ONLY GMA was good. I have not listened to the TSM, but I would expect them to sound very good....perhaps a little up front. They use excellent drivers, good cabinetry and are well designed. Fullrange speakers have more phase shift than 1st order crossovers exhibit. I am not confusing hi-fi speakers with musical instruments, I feel the job of the speaker is to reproduce what goes into it with flat frequency response, good dynamic response and phase response. As far as the recordings go, some of them have distortion, i'm not arguing that fact. All one need do is listen, right? Here's what i'm saying, and i'll try to put it as plain as possible. If your speaker has phase shift (most do) when you playback a distorted recording, the speaker's phase distortion is distorting everything that comes into it,including any recorded distortions, so your hearing distorted distortion. It's a multiplicative process, not additive. It's similar to using a distored signal coming out of a source and feeding it into your amplifier. Your multiplying distortions, except in the speakers case, your adding a different amount of time delay to every frequency, something no amplifier does. All you really know is that there are many "poor recordings" you can't play, can't enjoy. Many performances "you just don't get" You stated this in your previous thread. I had the same problem until I purchased GMA speakers. I now find myself listening to music I would have never listened to before. Why? It never connected with me on a musical level. Do my speakers mask sounds? No. I can easily pick out a ribbon mic or individual mic feeds in recordings. What they don't do is add phase distortion to already distorted recordings. THAT is why they make so called bad recordings more listenable. Can't say it any simpler than that. Hope that makes sense. I don't want to argue with you.....i'm trying to tell you why, in my opinion, some of your recordings are harsh. One way to find out is to play these harsh recordings thru some electrostatic headphones, as they have no phase shift. If the recordings are still harsh, it's the recordings. If they sound less harsh, perhaps i'm right.

songwriter wrote: "The ability to play and enjoy ANY recording is one of the primary advantages of time/phase aligned speakers. I no longer have un-listenable or un-enjoyable recordings in my collection since purchasing the GMA speakers."

songwriter, i have never heard the gma speakers. i would have to wonder about something that makes every recording sound good - knowing not every recording *is* good. if you enjoy the music and the reproduction, i don't think it's necessarily a bad thing. but if your goal is to suck the marrow out of top notch recordings, and accept the deficiencies of those that aren't, i'm not sure speakers that 'make everything sound good' would be the best way to go. you tell me - how can speakers that make everything sound good be reproducing what is *really* there?

songwriter,
i almost admire your single minded approach to the issue you are speaking of. and i agree partially with the thought that an accurate speaker (if done correctly) will have less sonic issues of its own to combine with those on a recording. so more recordings (even poorer ones) sound better. people have been saying exactly that about the mm and mx versions in the merlin speaker line since their inception.
where you and i start to differ is when you assume the propblem is immediately with the speaker and not somewhere else. i clearly outlined what i thought was minbean's issue and it was not the speaker. and by the way, minbean does not have an issue with the tsms but you do. you continue to make assumption after assumption about something you haven't heard or tested. just like on aa where you continually accused me of having a mid band suck out until a fellow reader posted the stereophile review of the frequency plot from the 2001 vsm review. if you looked at the response relative to the musical center and 10 degrees off axis, it is still one one the very flatest responses ever shown in that magazine. you were proven wrong. if you would have listened to the product first, you would have known there was no midband depression evident.
few people refine their products as i do over as long a period of time and stay dedicated to a given design. few people use the crossover components i do because of their cost and availability and even fewer use the sophisticated circuits i have developed to make these designs work as they do. it takes many years of research to make a world class product.
and just so you know, i started out designing first order and phase accurate, time aligned designs and can say without a doubt that my latter merlin designs are a lot more music like and accurate. what you gain in one design you may lose in another or you may find many other things that are preferable or more important in another design. but how would you ever know unless you hear/test an item set up as it was meant to be.
my speakers are not for everyone obviously and i have said this many times before. no single design can ever be. gmas are very fine speakers but they are only another approach to music making.
regards,
b