Music to evaluate Speakers and System


I would like to hear about some of the pieces of music or test cd others use to evaluate a system.
rleff
Thanks for your kind words, but I recall that this article was recommended by Bob Neill in some other forum. I just happen to remember where I read it. It is an interesting process to evaluate systems and different components. I'm currently in the process of replacing my speakers (B&W N804) and/or my power amp (Krell 2250) and this has openned a few doors for me. As always, I try to trust my ears first and foremost.
the purpose for evaluating a stereo system is not to attempt to "know" the stereo system, but rather to observe the performance given a sample of recordings.

a stereo system is as "strong" as its weakest link. if i like the sound of a stereo system and am looking to purchase an amplifier, i may consider auditioning the amplifier in my own system.

when i went shopping for speakers, i did not purchase a pair of speakers until i heard a stereo system whose performance i enjoyed.

here is my reasoning. if i enjoy a stereo system with a specific pair of speakers, i consider that there is a probability that i can enjoy these speakers in my own stereo system. until i obtain some sufficient evidence, i won't buy the speakers, nor will i want to audition them in my own system.

on the other hand, since i like full range panel speakers, i willing to audition any of them without hearing them.
once i hear them in a stereo system, i require a positive experience.

i can sum this up. if i have a negative experience, i won't take action, if there is a positive experience i will take action. if there is no experience, i may or may not take action. in the case of solid state amps, e.g., since i don't like them as a rule, i won't listen to one, in general, without having a positive experience outside the context of my own stereo system. there was an exception.
i auditioned roger sanders esl solid state amp, without hearing it first, against my better judgment. after i auditioned it, i have decided never to audition a class d amp, or solid state amp until i have first heard the amp somewhere.
I agree with others, first use what you know best. I have a few tracks I like, I am a great believer in opera, to sort the men from the boys.
Verdi's Otello, the version with Domingo and frenni, has a very busy opening, a lot of movement, chorus set in a deep soundstage, you even get a cannon, for goodness sake.
I also like Shawn Colvin's Cover Girl, not because it is a great test, but I love it and play it often.
"Planet Drum" by Mickey Hart was an audiophile staple 15 years ago and the bass album by Dean Peer. Both are instrumental's, but they'll highlight good dynamics.
I have the 1st ten records Sheffield released. Bought new-kept like new.(I am a collector 'nut', have been 4 4ty yrs) Listening to them now really reveals clean recording- but.... Your better off getting jazz records from the 60's & 70's. Many are startlingly! good.
When you get into it you'll realize why many 'old-timers' kept insisting "mono" was better than stereo. Heck, I think solo instuments like flute & guitar would still sound better recorded "mono" and played back on one speaker.KISS. Clarity, dynamics, nuance.