TheVinylPress.com


As some of you know, I have been pursuing vinyl and audio for a long time, and recently decided to write about it. I launched a site called http://TheVinylPress.com which is devoted to older records that deserve renewed attention. The site launched quietly last month with a feature about the U.S.Library of Congress audio-visual restoration archive, and the latest installment features an inteview with Olav Wyper, the creator of the legendary Vertigo Swirl label. For now, this is a labor of love. I hope you find something worthwhile.*
Bill Hart
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*N.B. The powers that be at Audiogon gave me permission to start a thread about the site.
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If you are a blues fan, you might enjoy this essay about Hoodoo Man Blues, just published in the National Recording Registry, along with an interview of Bob Koester, the owner of Delmark Records (which released the record) and producer of the album. The record, though a studio album, captures the feel of a club band playing live and features Junior Wells, along with (an uncredited on early pressings) Buddy Guy.
Koester's knowledge of the blues is encyclopedic --he has been a vital part of the scene for 60 years--and he provides some good insights in both the essay and accompanying interview. This intro piece contains internal links that will get you to the essay and interview.http://thevinylpress.com/hoodoo-man-blues-essay-and-interview-with-bob-koester/
There's an Elmore James track, "Sunnyland" that I first heard around 1970 and have loved ever since. What I didn't realize until recently was that this was not the original version of the song Elmore recorded, but a late recording, done near the end of his life. (He died young, and never seemed to get the recognition he was due during his lifetime; he died shortly before the 'great blues revival' of the mid-'60s). I decided to research this a little, and that drove me to more questions, about the track, its origins and original release. Thankfully, I got some help from some real blues scholars, including one who has devoted much of his life to researching Elmore James. This left me very impressed by the efforts of real blues scholars, who unearth original documentation and oral histories. Here's the piece: http://thevinylpress.com/on-the-trail-of-elmore-james-sunnyland/
This recording has long been a favorite, both for the music and the sonics. Guy Van Duser, who teaches at the Berklee School, is a master guitarist with a bent for jazz and swing, and a talent for fingerpicking. Guy shares some of his insights into the recording, as well as his work with Chet Atkins, who was one of his early inspirations. http://thevinylpress.com/get-yourself-a-new-broom-chatting-with-guy-van-duser/
Prompted by my chat with the delightful Guy Van Duser, I dove into a pile of old Chet Atkins records that I hadn't listened to in years (along with a newly purchased copy of the "Sessions" album that Guy had mentioned as so influential). Here's the piece: http://thevinylpress.com/the-many-sides-of-chet-atkins/
There are also some additional new capsules on the great Garnet Mimms, a soul/gospel singer whose work may only now be starting to get the recognition it deserves. Also, a piece on '60s Michigan Rock, courtesy of a compilation on Seeds & Stems Records.
Enjoy.
I'm finishing a detailed and fairly exhaustive piece on Canned Heat, their ties to the blues "rediscovery" era with some album reviews and other goodies. I hope to have that posted soon. In the meantime, some capsules were just posted: a listen to Terry Reid's "Seed of Memory"; a "where to start" on vinyl of the great Curtis Mayfield and a piece entitled "A Tale of Two Masterings"- a quick listen to The Band's "brown album" and a comparison of two highly regarded masterings of Boston's first album. More soon. http://TheVinylPress.com