Squeeze Concert including one odd tidbit


I saw Squeeze (or, more precisely, Chris Difford and Glenn Tillbrook of Squeeze) in concert at a local club last night. They performed mostly acoustic versions (tho Tillbrook played some electric guitar) of Squeeze's greatest hits and they did so with great style. The simpler arrangements still managed to capture a lot of the kinetic energy that is central to so many Squeeze songs. Overall, a very fun show and one worth catching for any Squeeze fan.

Squeeze is a band that I admire greatly: IMO, they combine outstanding songs (irresistible hooks) with excellent musicianship (Tillbrook is a fine, under-appreciated guitarist) and they often provide witty lyrics rife with clever wordplay. When the band performs, they rock with much more power than you might expect from such shiny songs. When they perform as a duo, however, the concert is less manic and involves more interaction with the audience. I've seen them do request-heavy shows in the past, but last night they had a guy with a mic walking thru the audience to take questions.

While most of Squeeze's best lyrics are probably best characterized as "clever good fun", one of their songs, "Some Fantastic Place", is a kind of pop elegy. The song is sung as a paean to a lover who died young. I've always wondered whether it was a true story or an imagined one. I've also always found it to be a tremendously moving and inspirational statement at a time of great sadness. I like a lot of Squeeze's lyrics, but I've always felt that "Fantastic Place" is a cut above anything else that Squeeze has done lyrically. (Actually, I find it a cut above all but a very few lyrics from anyone - there's just a very intense personal connection with that song on my part.)

When the mic came my way, I asked if a two part question was okay. They approved and I first asked:

"What lyric are you most proud of?"

Tillbrook hemmed and hawed for a minute ("That answer might change every day"), before he eventually settled on...... "Some Fantastic Place". Tillbrook said he was very proud of that one and then he thanked Difford for penning the lyric that told the story so movingly. He then asked me for part two of my question.

I told him that my second question was about..... "Some Fantastic Place". I asked whether the song was about an actual person in his life and, if it was, whether he might share that story.

He explained that his first great love died young of Leukemia. When Difford first provided his lyric shortly after her death, Tillbrook said the chords just spilled out of him in a spontaneous torrent. It was evident that it was a moving moment for him. It was satisfying to see that I had shared that sentiment with him regarding the power of the song.

It was a nice cap to a really fun evening with two terrific pop musicians. It also made it clear that a chance to interact with the people who write our favorite songs is an opportunity that happens way too rarely. If you like Squeeze, and Difford/Tillbrook comes to your neighborhood, I'd urge you to check this one out. Come armed with a question, too - it might make the night special.

martykl
Schubert,

Your passion for classical music is obvious when you post in threads on that subject, but....

Do you participate in pop music forums simply to explain that, by virtue of your general distaste for pop music, you are the last bastion of good taste? It sure feels that way. Divergent opinions make for interesting conversation, but your persistent dismissiveness in these threads seems to serve little purpose. Obviously, you have the right to comment wherever you please, but why bother? You might better serve yourself and this community by participating only in those discussions which involve music you actually care about. Why troll here?

Loomis,

You summed up my concept pretty well. I'm confident that I could sit and listen to Richard Thompson solo over a metronome and enjoy the experience. I also love his songwriting. However, the extended soloing on Calvary Cross or Shoot Out The Lights sort out exists outside of the songs themselves. Like I said, it's almost a different art form.

Bdp,

I always thought that NTTC was a Merle Haggard song. Live and learn.
Schubert,
Your own words prove it then. You are a close-minded elitist snob. That is your loss.
Loomis,

It's sad, but this is what tends to happen when someone decides to walk into the party and drop a turd in the punch bowl. It usually changes the conversation (and not for the better) and sucks the joy out of the room. Maybe that was Schubert's intention. If it was, it certainly earns him no respect, benefits no one else, and just makes you wonder why he feels compelled to do this sort of thing.
Back on track a bit--I always enjoyed hearing Squeeze when I encountered their music years ago. I never felt compelled to buy their albums. I saw them (current version) on Jools Holland recently and enjoyed that performance as well. But it never occurred to me that anyone saw them as approaching, equal to or superior to the Beatles. If someone could list a handful of tracks to check out that are among their very best I'd like to make a fair comparison.