Squeeze Concert including one odd tidbit


I saw Squeeze (or, more precisely, Chris Difford and Glenn Tillbrook of Squeeze) in concert at a local club last night. They performed mostly acoustic versions (tho Tillbrook played some electric guitar) of Squeeze's greatest hits and they did so with great style. The simpler arrangements still managed to capture a lot of the kinetic energy that is central to so many Squeeze songs. Overall, a very fun show and one worth catching for any Squeeze fan.

Squeeze is a band that I admire greatly: IMO, they combine outstanding songs (irresistible hooks) with excellent musicianship (Tillbrook is a fine, under-appreciated guitarist) and they often provide witty lyrics rife with clever wordplay. When the band performs, they rock with much more power than you might expect from such shiny songs. When they perform as a duo, however, the concert is less manic and involves more interaction with the audience. I've seen them do request-heavy shows in the past, but last night they had a guy with a mic walking thru the audience to take questions.

While most of Squeeze's best lyrics are probably best characterized as "clever good fun", one of their songs, "Some Fantastic Place", is a kind of pop elegy. The song is sung as a paean to a lover who died young. I've always wondered whether it was a true story or an imagined one. I've also always found it to be a tremendously moving and inspirational statement at a time of great sadness. I like a lot of Squeeze's lyrics, but I've always felt that "Fantastic Place" is a cut above anything else that Squeeze has done lyrically. (Actually, I find it a cut above all but a very few lyrics from anyone - there's just a very intense personal connection with that song on my part.)

When the mic came my way, I asked if a two part question was okay. They approved and I first asked:

"What lyric are you most proud of?"

Tillbrook hemmed and hawed for a minute ("That answer might change every day"), before he eventually settled on...... "Some Fantastic Place". Tillbrook said he was very proud of that one and then he thanked Difford for penning the lyric that told the story so movingly. He then asked me for part two of my question.

I told him that my second question was about..... "Some Fantastic Place". I asked whether the song was about an actual person in his life and, if it was, whether he might share that story.

He explained that his first great love died young of Leukemia. When Difford first provided his lyric shortly after her death, Tillbrook said the chords just spilled out of him in a spontaneous torrent. It was evident that it was a moving moment for him. It was satisfying to see that I had shared that sentiment with him regarding the power of the song.

It was a nice cap to a really fun evening with two terrific pop musicians. It also made it clear that a chance to interact with the people who write our favorite songs is an opportunity that happens way too rarely. If you like Squeeze, and Difford/Tillbrook comes to your neighborhood, I'd urge you to check this one out. Come armed with a question, too - it might make the night special.

martykl
Schubert,
Your own words prove it then. You are a close-minded elitist snob. That is your loss.
Loomis,

It's sad, but this is what tends to happen when someone decides to walk into the party and drop a turd in the punch bowl. It usually changes the conversation (and not for the better) and sucks the joy out of the room. Maybe that was Schubert's intention. If it was, it certainly earns him no respect, benefits no one else, and just makes you wonder why he feels compelled to do this sort of thing.
Back on track a bit--I always enjoyed hearing Squeeze when I encountered their music years ago. I never felt compelled to buy their albums. I saw them (current version) on Jools Holland recently and enjoyed that performance as well. But it never occurred to me that anyone saw them as approaching, equal to or superior to the Beatles. If someone could list a handful of tracks to check out that are among their very best I'd like to make a fair comparison.
Tostado,

You raise a fair point in that Squeeze is essentially playing on the same musical field as did the Beatles - combining the rhythmic conventions of rock n roll with a richer harmonic approach. While The Beatles can fairly claim IMO a more sophisticated and innovative legacy on that front than can Squeeze, the question of songwriting preference isn't limited by that distinction. Chris Difford is simply a remarkable lyricist.

Both John and Paul produced some memorable lyrics and Lennon is remembered in some quarters as a poet. Personal preferences differ, but IMO neither Lennon nor McCartney can touch Chris Difford for narrative lyric writing. The bulk of popular opinion might take issue with that statement, but it's my personal judgement.

Even if you're willing to stipulate the above, it's still fair to ask whether that is enough to defend the notion that Difford/Tillbrook surpasses Lennon/Macca as songwriters. In the end, the answer to that question depends upon your priorities. For me, Squeeze is good enough on the tune smithing front to make any edge the Beatles have in that realm essentially irrelevant. Again, that's just my own personal priority at play.

At the end of the day, I simply never go back and listen to the Beatles anymore. They sort of ended up as neither fish nor fowl for me. Their achievement may indeed be impressive within the bounds of what they set out to do, but i guess that I find that it more clever than it is nourishing. These days I want nourishment.

I fully appreciate their craft, but - if I need a shot of harmonically rich popular music - I'll probably fire up some Stephen Sondheim. If I want rock n roll, I'll fire up some Rolling Stones or Chuck Berry. If I want something in between, I'm more likely to turn to Squeeze, Brian Wilson, Lindsey Buckingham etc. than I am to turn to The Beatles.

I'm not about to try to convince you (or anyone else) that one band or the other featured better songwriting. I can only tell you that I much prefer listening to Squeeze these days.

As a side note, George Harrison definitely had his moments (as I noted previously, the solo in Something is among my absolute favorites) but I personally wouldn't consider him a great rock guitarist based on his work with The Beatles. After he left, Harrison made a better case for himself IMO, but The Beatles catalog offers little guitar soloing that I find worth revisiting. There's plenty of compelling arrangement of music for guitar, but only a little lead that floats my boat.

It doesn't need to be said, but YMMV.