What vintage speaker might you use today


Like to find out what "vintage speakers" members would/might use in their current audio set-up

Do you think what made them special was the synergy between them and the amp used, or just the fact they were well designed and performed way above their price tag.??
sunnyjim
Several old school speakers in my two main systems.  A pair of stock Altec 846A Valencia's that have great synergy with my Shindo amp and preamp.  However the Valencia's also sound great when my Audio Research tube gear and McCormack SS amp are pulled out of storage.  I also have a pair of Quad ESL 57's that I plan to run in the early part of 2016 with my Shindo preamp and a pair of Quad II monoblocks to give the Valencia's a little break.

Rounding out the "stable" is a pair of Quad ESL 63's that need refurbishment, but when that project is completed after the Big Move out of SoCal next year, I intend to run them with my ARC gear and a pair of Gradient SW-63 subwoofers.  And a pair of Snell Type J II sound great with both the Shindo and Audio Research gear.

My aching back notwithstanding, it's fun to occasionally swap and move speakers in and out.  Provides for different perspectives, a chance to reassess, and to listen to my musical faves anew.    
Salectric,

I am sure that your 753-type system sounds terrific.  I really like the drivers you are using.  I recently heard a system that is still in the tuning stage of build that utilizes the 32A horn and a 302 compression driver, a 15" field-coil woofer and some kind of EV horn tweeter on top.  I was wondering if you have ever thought that a tweeter might be useful way out on top (I know the 302 can go quite high on its own).  I spoke with a Western Electric expert who told me that the 753 used the 713A or 713C driver, which is more extended on top than the 713B, but is not as smooth sounding, an issue which is somewhat ameliorated by the attenuation of highs from the 90 degree bend in the horn.  

Almarg, Trelja, ct0517,

I totally agree that the Quad 57 remains a top competitor, provided that attaining extremely high volume and deep bass is not a major priority.  That speaker really delivers something magical that is hard to explain.  It is too bad someone does not try to make either a replica or a modernized version (one that does not have a tendency to arc).  I recently heard, at the Capital Audiofest, a reconditioned 57 that had been put into a new frame and actively biamped (electronic crossover, two built-in EL34 amps per channel).  Most of the demonstrations of that speaker were designed to show that it could play deep bass and at high volume.  I could not really say if it still had that incredible midrange magic of the original, but, it certainly was very promising (this is a commercially-available speaker, not a one-of thing).  Another room had a 57 with a super-tweeter on top.  That system, too, sounded quite good, although the large conference room it was being shown in did not help for bass response.

In some respects, it seems that, for my taste, a lot of speaker designers, and buyers, have pursued a certain kind of sound that tends toward a lean, harmonically thin and "bloodless" sound.  There are still makers who deliver an old school sound, but, they are in the minority (e.g., Audio Note, JM Reynaud, G.I.P. Laboratory, ESP).  There are some extremely high end modern builders that deliver old school sound using modern updates of old drivers (Goto, Cogent). Also, while I prefer the old sound, that does not mean I don't appreciate what some very modern and completely different sounding speakers can deliver (e.g., MBL, Raidho, and YG, Soundlab). 
LarryI, as a matter of fact I have tried a Jensen RP-302 tweeter to fill in on the extreme treble; however, I was never satisfied with the blend with the 802/32A.  My crossover includes a small HF boost circuit that helps make the 802-8G closer to full-range in the bent horn.  The very top end is still down slightly but for my tastes that is a price I am willing to pay for the excellent coherency of the 2-way.
ct0517, I have built so many dozens of audio systems over the years I don't even remember them all. I have used the Eminent technology LFT VI magnetic planners, which are about twenty years old now. They don't hold a candle to the newer panels. I have used older Chapman audio speakers, older Vandersteens, Mission, Apogee, Magnepans, Von Schweikert etc. None of the older models hold up to current standards of performance. I have heard dozens of vintage speakers, Quad, JBL, etc. at shows and dealers. None of them have impressed me terribly. Same with amps and preamps I have owned, Threshold, Audio Research, Adcom, PS Audio, receivers from Sansui, Denon, etc. My friend bought a beautiful pair of vintage McIntosh amps I heard on his big rig; they're going into this basement system, the correct decision. Wh�y? Because they can't compare to the Border Patrol SET amp he owns. 

So, if you wish to judge my conclusion based on the gear I have owned, feel free. 

Now, if someone is enamored of a very syrupy, "warm" sound, then I can certainly see how a vintage speaker would fit the bill. I remember one reviewer who said he actually tries not to get too much definition in an audio system. To me, this is the antithesis of the High End. One does not need current standards of precision and clarity to obtain a satisfactory sound when timbre and the nebulous "musicality" are of higher importance and precision is of tertiary importance. Is it accurate to real life sound. Not to me, which is why I answered the way I did. 

Trelja, considering Quads, you couldn't get me to own a Quad. They� WERE a good speaker - that was LONG ago. The older models have severely compromised performance in terms of bass extension and power handling. And it sounds like it's coming from an orchestra pit, the speaker is so lowered. We're supposed to accept that in 2015? I will not. I don't give a speaker a pass simply because it has lovely mids. Nostalgia has carried them way too far. I have heard the older quads both he 57's and 63's and I wouldn't dream of owning them, not for great listening. The Kingsound King III tramples them. It has "all of that" in regards to the superb midrange, and much more, that is, an actual lower bass response, as well as a sound field that is above knee level. As far as new Quads, I wouldn't touch one.
Oh, I forgot to mention the Nakamichi cassette deck I owned, what a beautiful machine. A Nak was a great component in its day.