Jazz for aficionados


Jazz for aficionados

I'm going to review records in my collection, and you'll be able to decide if they're worthy of your collection. These records are what I consider "must haves" for any jazz aficionado, and would be found in their collections. I wont review any record that's not on CD, nor will I review any record if the CD is markedly inferior. Fortunately, I only found 1 case where the CD was markedly inferior to the record.

Our first album is "Moanin" by Art Blakey and The Jazz Messengers. We have Lee Morgan , trumpet; Benney Golson, tenor sax; Bobby Timmons, piano; Jymie merrit, bass; Art Blakey, drums.

The title tune "Moanin" is by Bobby Timmons, it conveys the emotion of the title like no other tune I've ever heard, even better than any words could ever convey. This music pictures a person whose down to his last nickel, and all he can do is "moan".

"Along Came Betty" is a tune by Benny Golson, it reminds me of a Betty I once knew. She was gorgeous with a jazzy personality, and she moved smooth and easy, just like this tune. Somebody find me a time machine! Maybe you knew a Betty.

While the rest of the music is just fine, those are my favorite tunes. Why don't you share your, "must have" jazz albums with us.

Enjoy the music.
orpheus10

In addition to "Like Young" by Andre Previn, he played some real hip "West Coast" jazz. I suppose you have to get in a laid back west coast groove with a glass of wine to dig Andre; his music is what was happening in LA in the late 50's, "Beatniks" were in; he even did the soundtrack for a movie titled "The Subteraneans"; here's "Jeru", as Miles called him, and Art Farmer with music from that movie. The man plays some real hip piano, but not everybody can dig it; that's the way it is with all things that are truly hip.


            https://www.youtube.com/watch?v=puUeyUAX3Is


Jeru's baritone is one hip sounding sax, but not everybody can dig it;


            https://www.youtube.com/watch?v=bo537jPaFPc



Enjoy the music






"It is Previn playing a twelve bar blues with orchestra sweetening. Previn is a wonderful musician, but this is pretty bland stuff; taking into account the differences in genres, no better than what one hears from Kenny G in an elevator."

That's what Frogman had to say about "Like Young" by Andre Previn. One of us is "Phaking the Phunk", and it might be me; but it's for sure one of us is Phaking the Phunk".   According to my evaluation "Like Young" is boss, and here are some other people who think so as well;



            https://www.youtube.com/watch?v=xCZxvAG5wHg



Ella Fitzgerald doesn't think "Like Young" is elevator music.

Linda Lawson doesn't think "Like Young" is elevator music; it jump started her career.


              https://www.youtube.com/watch?v=CA81pRYtEXc


Now it's either me or Frogman is "Phaking the Phunk"; one of us is not a true jazz "aficionado".  




Enjoy the music.

Aficionados, feel free to weigh in on this controversy; that's the only way it will be resolved; when I say "aficionados", I don't mean the peanut gallery, but those who have contributed to this thread.

From my point of view, Frogman has been on a mission lately, and the evidence is quite blatant; but since Frogman is a musician, and you value a musicians input over a sincere and honest evaluation of the music, I have no problem with that; but to put this in the vernacular of the West "This town ain't big enough for the both of us", Frogman has made that quite apparent.

Disregard the fact that I started this thread because it can't function without you; unfortunately you have to make an ugly decision for the thread to continue.



Enjoy the music.
Alex, I promised you some comments re "Best Coast Jazz".  As I said before, I don't think I have ever heard anything by Clifford Brown that I didn't like.  I have and love his recordings with Max Roach and "C B With Strings" has always been one of my very favorite ballads records.  It is remarkable that eventhough he tragically died at the age pf 25(!) he was able to achieve such a high level of musicianship and be so influential.  "Best Coast Jazz" is a terrific record, clearly in a bebop bag and has the stamp of Charlie Parker's vocabulary all over it; particularly (no surprise) in the case of the two alto players, but with a somewhat lighter rhythmic touch and softer instrumental tones typical of West Coast players.  I think the tenor player Walter Benton sounds less committed to the bebop idiom and his connection to the older "swing" style can be heard in his tone, inflections and less complete command of the more complex bebop harmonies.  Clifford is brilliant as always.  Few players can "tell a story" the way that Clifford could:

https://m.youtube.com/watch?list=PLi8BquRmKA_n4umKPYQFIWlVzineIM9b2&v=uAl6Sro_OtI

Your clip was a bit of a "blast from the past" for me since one of the alto players, Herb Geller, was the featured alto player on the very first jazz record I bought at the age 13, Maynard Ferguson's "McArthur Park"; great alto player.  The other alto player, Joe Maini, definitely belongs on your list of "forgotten ones".  Fantastic West Coast player who was greatly admired during his years in the LA scene, but sadly led a tragic life.  Interesting, if sad, story:

http://www.jazzwax.com/2010/06/the-truth-about-joe-mainis-death.html

Thanks for the Clifford Clip.