What tonearm will better mine?


I have been running a 12" Jelco SA750L with an upgraded Decca Super Gold on a Garrard 401 for a few years. I'm happy with the sound and happy with my pre, power and speakers. (Croft 25R, EICO HF35s, -good tubes, Quad 57).
I keep hearing that my tonearm is a weak link even though it sounds pretty awesome to me. What would it take to replace the Jelco and make a significant improvement? What should I expect to hear better? Would I have to drill the massive plinth? Thanks.
128x128noromance

The old Decca's were extremely variable, each one needing to be loaded to match it's particular performance. The current London's are much more consistent, and can be loaded according to builder John Wright's recommendations.

Noromance, the Decapod (why it is spelled with only one c I don't know) offers a couple of improvements. The "Pod" makes the cartridge less microphonic, being a thick slab of aluminum that replaces the much less non-resonant thin piece of tin that is the stock top plate of the cartridge. The Pod makes unnecessary the stock cheesy red plastic mounting bracket, a major source of weakness in the mating of arm and cartridge. The Pod is threaded, allowing for a tight direct fitting to the arm's headshell. The discarded plastic mount also contains the cartridge's output pins, which connect to thin strips of brass or copper (like the blades on the battery connections inside a flashlight) on the back of the cartridge body, necessitating an extra break and connection in the signal path. With the substitution of the Decapod for the stock mount, the output pins are on the cartridge itself, a huge improvement with a signal as low in voltage as that of a cartridge's, even the Decca's 5mV!

I believe the Decapod is available as a DIY part, or you may return the cartridge to have it installed by John. He will at the same time adjust and test the cartridge, returning it with a performance test report if I'm not mistaken. I wouldn't have a Decca without the Decapod!

Thanks everyone.
bdp24, The name may be a play in decapods - animals like crabs - I guess the tight grip...
Wasn't the red plastic part of the damping? I like the idea of a solid base for the Decca. Have you heard the Decapod upgrade? My Mk.Vll has already been to JW for a Paratrace tip which was a major upgrade. I'll shoot him an email when it's due a retip. Thanks.

The red plastic mount wasn’t designed for damping, but merely for mounting the cartridge, and perhaps for easy switching between models---elliptical, spherical, the version for 78’s. The cartridge originated in the 1950’s, long before people were as concerned with damping resonances as are we now. That mounting design exhibits a fair amount of flex, allowing relative motion between cartridge and headshell, obviously not a good thing. People have tried all sorts of DIY remedies, the most common being Plasticene, Mortite, Blutack, modeling clay, and other putty-like materials wedged into the space between the top of the cartridge and the bottom of the mount, to prevent that motion. The Decapod is a far better solution, making the cartridge as tightly secured to a headshell as any "normal" one. I ordered my London Super Gold Mk.VII with the Decapod already installed, but my earlier Decca SG originally had the stock mount. I sent it back to John for him to install. Yes, definitely worth the money!

The Paratracer tip is universally lauded by Decca/London owners, and when I need a retip I’m definitely going to have John install it on my London.

For those who don't want to shell out for the MINT protractor:

Conrad Hoffman wrote:Ok, I admit it. I tested this on the unsuspecting folks at the asylum first. After a few revisions, here's my cartridge arc alignment template and strobe disk generator. It's far smaller than bitmaps of the same thing, plus you can choose your specific pivot-to-spindle distance, groove radius and alignment strategy choice. It also prints pretty darn nice strobe disks. Freeware, no viri, no strings attached. Please let me know what you think.

http://www.conradhoffman.com/chsw.htm

noromance, 

I may have missed it; but have you played with damping fluid? I have a SA750 clone, the Sumiko Premier MMT and like you I sometimes get upgradeitis. Then I buy a new phono cable or something and come to my senses. The Jelco may be underappreciated by some because of it's modest price; but I have found it to better many more expensive arms. If I had $3,000 to spend improving my system, I certainly wouldn't spend it all replacing my Sumiko!
@2channel8 Thanks for the link. Interesting. I added the oil at the start and when it evaporated away, I didn't really notice any loss so I haven't bothered refilling it!