Frogman, while most of the time we agree, I consider your last post as a challenge; title this, "The Musician" vs "The Aficionado".
In regard to "modality" or "no modality", KOB lacks the intense emotion of SE; maybe that's the ethereal quality of KOB. Miles music dominates this album to such an extent, that he can be heard within each solo, making the artist secondary to the music; could that be the cohesion you refer to?
Without a doubt this maybe "MIles Davis" greatest album, but when placed up against the artists Rok referred to, and their best albums, KOB begins to slide down the totem pole. Oddly enough, those who are obsessed with KOB, would not be aware of those albums; and consequently, would not be considered jazz aficionados. While KOB is "one" of the greatest, it most certainly is not "The Greatest".
In regard to SE, "The tunes are mostly standards", while three of the tunes are standards, I consider that a putdown. Hank Jones intro on "Autumn Leaves" is so dramatic, you don't know what he's going to go into, but you know you like it because it sounds so good. This is followed by incredible solos, from Miles and Cannonball; after Miles plays the melody, Hank comes back in and gets into the heart and soul of the tune with each note on his piano. "The tunes are mostly standards" sounds like such a put down that I'm left speechless.
As I sit here trying to respond to your post, I get more and more "discombobulated"; "Art Blakey", a sloppy drummer". I can only suggest you give SE another listen, I don't know why I get the feeling you're responding to this from memory, as opposed to putting the CD on and listening to each cut, and each note as I am at the moment. While all music is subjective, I'm finding it hard to believe we're so far apart, far beyond your preference to KOB over SE, which is not hard to understand.
Enjoy the music.