Tekton Double Impacts


Anybody out there heard these??

I have dedicated audio room 14.5x20.5x9 ft.  Currently have Marantz Reference CD/Intergrated paired to Magnepan 1.7's with REL T-7 subs.  For the vast majority of music I love this system.  The only nit pick is that it is lacking/limited in covering say below 35 hz or so.  For the first time actually buzzed the panel with an organ sacd. Bummer.  Thought of upgrading subs to rythmicks but then I will need to high pass the 1.7's.  Really don't want to deal with that approach.

Enter the Double Impacts.  Many interesting things here.  Would certainly have a different set of strengths here.  Dynamics, claimed bottom octave coverage in one package, suspect a good match to current electronics.

I've read all the threads here so we do not need to rehash that.  Just wondering if others out there have FIRST HAND experience with these or other Tekton speakers

Thanks.
corelli
Mac, I'll have to revise my original estimate of the DI's versus the Ulf's. Broken in, the DI's are only about 70% of the way to the Ulfberhts. Nothing really changed until I got to 30 hours on the speakers, then they gradually opened up. More detail, crystal clarity, no more "in your face" soundstage. Horns sound so smooth now, and drums have a wonderful punch to them that sounds just right. Vocals are a real treat with an almost ethereal quality to them. This caught me off guard with some of my old recordings which had never been very impressive in terms of the vocals. Now I am hearing what these guys could actually do.

Jeffey:

Did you use any mounting feet/dampers on the ULFs? Considering their weight wonder if this is helpful and, if so, what types of devices are appropriate.

Sorry to see that the DIs are going down in comparable quality.

To all that own the LTA Micro-ZOTL

Mike Kay (Audio Archon) who is a dealer for both LTA and Tekton has just added to his stable of wonderful lines the gear the preamp of David Berning.  Mr. Berning shared with Mike that you can safely replace the pair of 12AT7's in the Micro-ZOTL with 12AU7's, which have less gain, but can offer wonderful sound changes with different brands of NOS tubes.  Mike is finding that if you want to add both color and image density, without losing any dynamics/speed/transparency the change to the 12AU7's just might be what you might be after in your system.  I have not had a chance to experiment yet, but I trust Mike's ears and am looking forward to try out my numerous NOS tubes to see what I can get in my system this weekend. 

lpetiring:

No, because the 901s were always on elevated stands, they avoided the dreaded canine addition.

On the other hand, have a pair of Maggies that were liberally anointed and they come with a can of Resolve liquid and a hand brush. After multiple treatments, they should be like new (LOL).

Seriously, as a lifelong audiophile, equipment that enters never leaves. Once a piece is drawn into the black hole, the only movement is to the other side of the hole -- the Goodwill...