2. analog
  3. 131874-71914

A battle between two turntable generations. Which one is the winner?

Being an electronic and acoustic enginner, I've worked for well renowned Companies in Germany, that led me to listen to all kind of analog equipments, from turntables to tonearms, cartridges... I love the analog sound!

While I've had the EMT 927 and 930, the SP-10 of all versions, VPI's, Thorens, etc... I ended with my reliable Garrard 301, that I bought brand new in London, England. Believe me, a well engineered plinth for the Garrard 301 transforms the 301 in an outstanding turntable.

Time passed and my beloved Fidelity Research FR-66 SS tonearm was substitued for the magnificent (and a bargain!) Trans-Fi Terminator (best linear tracking tonearm I've experienced). When I felt that it was time to change the Garrard 301 for a new one and based on the positive reviews, I emailed Bruce McDougall, the designer and owner of ANVIL turntables to quote a turntable that could suit the Terminator Tonearm. (Linear tracking tonearms need a VERY stable plinth to perform at best) because I would like to compare the Garrard with a contemporary turntable without breaking the bank.

The ANVIL comes complete (you can name it "turbinated") with adjustable motor board (adjustable string tension), adjustable arm board, the new bearing model and the proprietary magnetic levitated footers.

To make real comparisions, the only thing that I changed was the Garrard 301. Victor Patacchiola's tonearm (Terminator), Audio-Technica AT50ANV Limited Edition (the most natural cartridge ever!) and Steven Huang's Audio Sensibility Impact SE phono cable remained the same.

The main LP that I used (and accostumed with it, too) is a fabulous recording of Switzerland's vocal jazz "BRIGITTE BADER MEETS JOHNNY GRIFFIN", very very rare limited edition by ARS of Germany. Many japanese audiophiles that I know use this recording to "tune" their systems. If you come across this LP, please buy it! This is an all analogue recording made with purist techniques and direct recorded on a Studer B67 recorder.

Although the Garrard + Terminator show their positive potential on track 3, "HOW LONG HAS THIS BEEN GOING ON", (oh) boy!... the Anvil + Terminator is in a different league: it transformed the already perfect soundstage in an outstanding presentation. All the authoritative bass present in the Garrard (probably due to idler wheel drive??) stay there, but with tonal nuances never heard before. The Anvil is unbelievable quiet with perfect speed stability . Certainly the new bearing and a massive platter contributes for a clarity on complex passages that I have not ever experienced before. At $3700.00 (the price that I paid for the Anvil "turbinated with accessories") is a bargain if compared with some turntables that uses plastic, MDF (oh my God!) and other "fancy" materials. The Anvil is of all metal construction and is HEAVY (about 60lbs) and certainly this contributes for the supreme results.

I'm not affiliate with ANY companies mentioned in this review. I'm just a passionate audiophile searching for the best and this combination made my ears smiling!

Would you like to share with me, fellow Audiogon members, your impressions and thoughs about your phono system? Cheers!, Jose.
ultima700
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rauliruegas
9,123 posts
 
Dear @13blm: Perfect speed stability is an " elusive " term. A TT can run at 33.332 rpm with perfect stability ( all the time with out minute speed changes. ) and I can be sure that I least me can't detect it from 33.333 rpm.

So, as important as is TT speed stability I agree with you that are other characteristics that can have more " weigth " in a TT design like: noise and vibratios isolation of the platter, plinth and arm board through a well damping design to impede that all those kind of " distortions " can have any influence in the cartridge/tonearm combo. For me these is the real enemy or punisher of what the cartridge is picking-up from the LP grooves.
That zero tolerance fully isolation must be not only at measured macro levels but at micro levels that is where the stylus tip/cantilever works.

Speed stability per se can't define the TT quality overall performance inside some limits.

Regards and enjoy the MUSIC NOT DISTORTIONS,
R.


harold-not-the-barrel
799 posts
 
Ultima, very very interesting. I´m familiar with the Trans-Fi arm since its first appearance, late 2008. I´m also experienced both maglev platter and feet with outstanding results. Now the Anvil TT with its " A/C motor with innovative pulley design and thread drive" is something very special too.

Many thanks for letting me know that new High-End deck.

Cheers,
ultima700 OP
5 posts
 
harold- , thank you very much for your message and kind words. I just posted a photo of my analog set in my profile. Cheers!
lewm
6,770 posts
 
I was not in any way denigrating the Anvil turntable.  I was completely sincere in mentioning that I have noticed the Anvil in the past, and, based only on its apparent build quality and design elements, I definitely place it very high among the very few belt-drive turntables I would consider buying.  And at the price, the Anvil probably cannot be beaten in its category.  I was only getting at the idea that no turntable has "perfect" speed stability.  (Even .01 W&F is not perfect.) Probably the Anvil is good enough in that area such that speed stability is not a noticeable problem.  I also rank the Trans-fi highest among straight line tonearms currently on the market.  I just don't want to mess with pumps, etc.  I'll stop there, before I talk about cartridges. I am also very happy with what I already own.
terry9
931 posts
 
Just want to agree about the Trans-Fi air bearing tonearm. Simply excellent. I own two of them.
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