Age old discussion I know but MM or MC? Benefits?

I don’t think setting up a soundsmith is any different than other cartridges. You will need to setup vtf and anti-skate accurately to get the best out of any cartridge-IMO

@inna 
Yes definitely just one cartridge and one table! Of course if you had a table with two arms it would be fairly easy to run 2 different carts......

But as normal I have been perusing eBay and spotted a Nottingham Analog table which I have promised myself to own one day...it never ends...lol.
Btw I am from Nottingham in the UK myself so quite poetic to actually own one!

You’re right Inna. What I failed to mention is, would the op sacrifice his rock music for the extra sweetness in vocals with MC or would you stick with MM that can that can rock your world with out that extra clean midrange?

Uberwaltz, you really have to have Nottingham Spacedeck ! Or at least Interspace deck. I wouldn't have it if it didn't rock, believe you me. But I listen to acoustic music, Spain's flamenco, world music, vocal in addition to jazzrock and some rock. So I need a very versatile cartridge. Sure, $2500 Tranfiguration Axia or maybe $1600 Lyra Delos would probably do most if not all things better than my humble 1042. But I really see no need, not to mention the cost, until I upgrade my Acoustech phono. And since I want good tube phono it will be at least $2000. So, a lot of money.
Of course, you could try Dynavector 20 LO, many like this cartridge. If it works in your arm. Perhaps you would like to take a risk with something used bought from a reputable member, just to aquaint yourself with MCs.

If you wait nine more years, you may have had the honor of starting your own 13K-post thread.  Because you have in a way re-stated Raul's question.  You cannot expect others to tell you what cartridge you will like.  Period. That's just for starters.  In addition, your question is based on an assumption that either all MM cartridges can outperform MC ones, or vice-versa.  (Maybe that's an unfair summary of your question, but that is one take-away from it.) That is simply not the case.  There are a few MM cartridges that outperform many or most MC cartridges.  (For a hint of what those cartridges might be, you might just read Raul's initial post on his long thread.) There are also a few MC cartridges that outperform most MM cartridges. It's a mixed bag, and only you can find your way out of it.  If Robjerman's rationale were correct (about MCs being superior because of having lower moving mass), then Moving Iron (MI) cartridges should rule, because MI cartridges have lower moving mass than do MC cartridges.  On top of that they generally have higher signal voltage output which makes the job of the phono stage much easier, in that the phono stage needs to provide much less gain for an MI, and much much less gain for an MM than for any MC.  With gain comes distortion and noise.  (One disadvantage of a LOMC cartridge.) Also, contrary to your assumption, I would argue that very little to nothing has advanced in the area of cartridge design, in the past 9 years since Raul opened his thread.  Certainly there is nothing new in the price range where you seem to want to shop.  So, my opinion is that you need to do some critical listening of your own.  I rank my top MM cartridges (Grace Ruby with Soundsmith CL re-tip, Acutex LPM320, Stanton 981LZS) in the same breath with my best MC cartridges (ZYX UNIverse, Audio Technical AT7, Koetsu Urushi, Ortofon MC2000).  I really have never heard a high output MC in my system that could compete in any way with those listed cartridges.  So, no HOMC for me.