Jazz for aficionados


Jazz for aficionados

I'm going to review records in my collection, and you'll be able to decide if they're worthy of your collection. These records are what I consider "must haves" for any jazz aficionado, and would be found in their collections. I wont review any record that's not on CD, nor will I review any record if the CD is markedly inferior. Fortunately, I only found 1 case where the CD was markedly inferior to the record.

Our first album is "Moanin" by Art Blakey and The Jazz Messengers. We have Lee Morgan , trumpet; Benney Golson, tenor sax; Bobby Timmons, piano; Jymie merrit, bass; Art Blakey, drums.

The title tune "Moanin" is by Bobby Timmons, it conveys the emotion of the title like no other tune I've ever heard, even better than any words could ever convey. This music pictures a person whose down to his last nickel, and all he can do is "moan".

"Along Came Betty" is a tune by Benny Golson, it reminds me of a Betty I once knew. She was gorgeous with a jazzy personality, and she moved smooth and easy, just like this tune. Somebody find me a time machine! Maybe you knew a Betty.

While the rest of the music is just fine, those are my favorite tunes. Why don't you share your, "must have" jazz albums with us.

Enjoy the music.
orpheus10

Richard Greene:

Great stuff.  Amazon only shows LP and MP3 versions.  I am not sure how well this music would wear on me.   I would buy this CD, but sooner or later you need a piano or some sort of horn, to break up the constant Violin.

Vary the register.   Create some dynamic range.  

Cheers


I don't mean to break up the current party; although I don't agree with most of what's been said in regard to various genres and jazz, I'm just one person with one opinion.

Making good jazz music is never easy; the practitioner must spend years mastering his instrument, the same as a concert pianist; but the biggest difference is that jazz comes from within, maybe that's why the concert pianist can never make good jazz.

The concert pianist has all this written music (external), while the jazz pianist has it all internal, and he has worked hard for years to be able to express what he feels.

An example of this is "Bobby Timmons"; no one can express so much with so few notes. While I have noted many references to outstanding musicians, and I can't disagree with that, the complexity of the music might indicate the mastery of the instrument, but we're talking about "jazz"; somehow this music has to reach people on a deeper level, it has to "resonate" some profound innermost feelings; those are the feeling the jazz musician has sought to express in a meaningful way for his entire life. When he is successful, there is resonance, and we are in harmony with his music.

Music is a very personal thing for each individual; for me, I no longer listen with an attempt to evaluate the music, I simply turn the music on, and if it finds me, (achieves resonance and harmony) the music is a keeper, if not, on to the next thing.
Sorry folks, I relied on my memory which failed me again.  I intended to reference Freddie Green as Basie's rhythm guitarist, not Grant Green.  Just a steady foundation to each tune.

https://www.youtube.com/watch?v=fVwB7_CS6rk

frog, I have that Richard Greene album in my collection but haven't played it in years, so I'd forgotten about it.  Do you see a thread here? ;^)

Jazz Musicians:

The Oscar Peterson interview drove home one point to me, and that is, there is a method to jazz improvisation.  It's not just, let me start from zero and make up something.   Building blocks are involved.   Did you notice how easily they talked to each other.   No explanations required.   They both knew all, oh Lord, The Nuts & Bolts.

There is a method / system.


Cheers