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Jazz for aficionados

Jazz for aficionados

I'm going to review records in my collection, and you'll be able to decide if they're worthy of your collection. These records are what I consider "must haves" for any jazz aficionado, and would be found in their collections. I wont review any record that's not on CD, nor will I review any record if the CD is markedly inferior. Fortunately, I only found 1 case where the CD was markedly inferior to the record.

Our first album is "Moanin" by Art Blakey and The Jazz Messengers. We have Lee Morgan , trumpet; Benney Golson, tenor sax; Bobby Timmons, piano; Jymie merrit, bass; Art Blakey, drums.

The title tune "Moanin" is by Bobby Timmons, it conveys the emotion of the title like no other tune I've ever heard, even better than any words could ever convey. This music pictures a person whose down to his last nickel, and all he can do is "moan".

"Along Came Betty" is a tune by Benny Golson, it reminds me of a Betty I once knew. She was gorgeous with a jazzy personality, and she moved smooth and easy, just like this tune. Somebody find me a time machine! Maybe you knew a Betty.

While the rest of the music is just fine, those are my favorite tunes. Why don't you share your, "must have" jazz albums with us.

Enjoy the music.
orpheus10
pryso
1,501 posts
 
"I think the Mississippi intellectuals, folks who could read, write and figure, lived up around Oxford."  Great line! ;^)

When I visited my friend and his wife in Oxford we took a side trip to Clarksdale.  I just had to see the famous blues "crossroads".  But the devil was nowhere in sight.  We had lunch in a funky old bar where I'm certain I would have heard some great blues had I been there any evening.
schubert
4,867 posts
 
rok2id, I disremember the musician I heard say it(Andre Previn ?)but I never forgot it .
" Rock and Roll, the Hamburger that ate the World "  .
orpheus10 OP
5,988 posts
 

Rok, I'm sure you had a wonderful childhood in Mississippi; I recall visiting relatives in Wynona when I was only 5 years old. There was a sweet and very fragrant aroma about the place in the grasslands that I will never forget, although I don't know what it was.

I remember watermelons fresh out of the patch, churning butter, incredible food, and lizards; a snake here and there, but mostly lizards; everywhere I was taken, a lizard seemed to be scampering across the dusty road.

There was no electricity, and at night they told ghost stories. Fortunately, I always slept with someone, because I was scared to death after all of those ghost stories; I could see "haints" coming to get me.

There was nothing more fun than fishing and swimming in creeks, plus chasing rabbits with dogs. I can very well understand how you had a fantastic childhood in Mississippi.
orpheus10 OP
5,988 posts
 


Frogman;


"In the beginning we had the wrong trumpet players, we had those who were classically trained. We had to tell them not to play exactly what was on the score. They started looking at us-at Gil mostly-like we were crazy. They couldn't improvise their way out of a paper bag, so we had to change trumpet players. Like most other classical players, they play only what you put in front of them".

Miles had other disparaging things to see about classical music; he called it "Robot s--t".


These are some of the remarks he made when he was putting "Sketches of Spain" together. Those are Miles Davis's remarks, not mine.
frogman
4,637 posts
 
Of course they are yours, O-10.  Good as yours, which is why you
posted them.  Now, I would have preferred, as pryso suggested, to get back to “regular programming”, but if you prefer to cherry pick comments and submit them out of context as proof of something that’s ok I suppose.  You simply don’t get it, and worse, don’t seem to want to get it.  Suggestion: take a deep breath, somehow try to be a little open minded, go over the last two or so days’ worth of posts on the subject and maybe you might get it this time.  Regards.  
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