Takes one to know one


I find what one artist has to say about another fascinating. Here's what Eric Clapton has to say about one such:

"I met the genius of that outfit, who was Richard Manuel. He was as close to genius as I've ever met in a white guy---all the other geniuses I've met have been black Blues players, like B.B. and Buddy Guy. The reason I say they're geniuses is that they do what they do effortlessly with a gift that is so powerful that they don't need to engage in any kind of thinking to pursue it."

I would add Levon Helm, Rick Danko, Garth Hudson, and even Robbie Robertson (somewhat begrudgingly ;-), the other members of The Band, to the list of geniuses. There has never been, and never again will be, a Group containing so much talent. I listen to their music every single day of my life, and have done so for years. Their debut and second album are in my Top 10 albums of all-time list. Both are available on LP and SACD from Mobile Fidelity Sound Labs. Ignore them at the cost of your own musical wealth!

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IIRC, Robbie was married or seriously involved with someone during the Big Pink days.  He did not live at Big Pink.  This helped him remain more sober and grounded while the others, except Garth, were into excess of every kind.  Drugs, drink. women, smashing cars on the winding roads, etc.

If you read Robbie's version of the story, he frequently urged the others to write.  If you read Levon's version, Robbie took all credit for songs that they had worked out together.  No telling what the truth is but the others should have confronted Robbie sooner rather than waiting till the money stopped rolling in.  Levon was very bitter about it but Rick Danko and Garth never complained that much about it that I'm aware of.
Robert Plant was highly speaking of Dread Zeppelin as best Led Zeppelin cover band.
Great bands often open up for me musicians I currently crave and listen to. I often use my own "bad ass" detector and it works quite bad fo sho!
I've always felt that Levon's last records before passing are the most 'Band-ish' sounding.  I'm sure all you Band fans have them but I most highly recommend Dirt Farmer and Electric Dirt to anyone that hasn't.  Outstanding music!  His live 'Ramble At The Ryman' features tunes from those 2 plus a few Band numbers and should be considered one of the great 'Live' records, but I never see it mentioned!

For a member of a successful band/group to go on to have a successful solo career is very rare. A group benefits from the members’ combined talents, no one of them having enough talent on his own to make for a solo career. After The Beatles changed the world, bands/groups were expected to write, sing, and play---three separate talents. Before them, the best songwriters did just that---only. The best singers did that---only. The best players did that---only. In the group dynamic, you didn’t necessarily get all three.

Along comes The Band. Not only were they as good as any group around, but their individual talents were as good as any of the professionals doing only one of the above. Richard Manuel was as good a singer as any solo artist, Levon Helm as good a drummer as the guys in the L.A., New York, Memphis, and Nashville studios, Rick Danko a brilliant bass player, Robbie Robertson a very tasteful song-part guitar player, and Garth Hudson maybe the best keyboardist in the history of Rock ’n’ Roll.

After hearing Levon’s drumming, Ringo sounded flat-footed (compare his playing in The Last Waltz to that of Levon’s). After hearing Richard Manuel sing, John Lennon sounded weak and thin, McCartney lacking gravitas. Paul sounded almost like an average bass player after hearing Rick Danko’s inventive style. Rick Danko, a farm boy from Canada, was as good as the best in the world---James Jamerson, Motown’s bass player. By the time of the Band’s debut, The Beatles writing had lost it’s "magic". For me, anyway.

The Band had raised the bar so high, they were so brilliant in every way, that I now found the mediocrity in most other groups to be killing my interest in them. I now looked for songs written by the "best" songwriters, singing by the best singers, and playing by the best musicians (by that I mean those who were the best ensemble players, not virtuosos). Funny, for me it was now back to how it was before The Beatles. They had changed everything---no more producer putting a singer in a studio to record a song written by a pro writer and played by studio musicians. Except now, it was the vision of the solo songwriter/singer, not the producer, I was interested in.

And so it has remained all these years. I seek out music by the best songwriters, sung in the "best" way (best having nothing to do with range, pitch control, etc.), and accompanied by the best musicians. All my current music acquisitions are albums by solo artists, not groups. My favorite songwriters are rarely a member of a group/band, my favorite singers rarely in a group/band. If the songwriter and/or singer in a group was a "better" writer or singer, he wouldn’t need to be in a group. Ironically, all the result of The Band---the ultimate group!