Sheesh.
Raul, you are embarrassing yourself. The problem seems to be that you know nothing about how the industry makes recordings, and even less about the technologies involved. You should try running a recording/mastering operation sometime. When I first started cutting LPs, a good number of things I thought I 'knew' about the medium were dashed. One was how quiet lathe cuts are- they easily rival digital. The surface noise comes in during the pressing process (Acoustic Sounds with their pressing plant QRP has done a lot to solve that problem and now make the quietest pressings in the world). Another is how much dynamic range the medium has, and how low its distortion actually is (the cutter amps usually have about 10 times the power needed to completely toast the cutter head; the LP mastering system has the highest overhead of any audio process; it can't be overloaded like other processes can be). Additional noise and distortion can be caused by the pickup and equalizer (the latter can add ticks and pops that you might think are on the LP surface). But those problems are correctable. I suspect that you are making a common mistake of construing them with the media itself.
Here is my major objection to digital audio: I've gone to many concerts and also played in orchestra and bands. In those situations, if there is background noise like air conditioning, glasses clinking or people coughing, you can listen past them because they are not the music. Similarly, the artifacts of analog (hiss, ticks and pops) can be easily ignored by the brain as well, because those things sit in the speaker while the music is in 3 dimensions.
Digital OTOH imposes audible distortion (caused by aliasing and other problems, interpreted as brightness by the brain, which is why CDs still sound bright even if you have tone controls and turn the treble down all the way) that cannot be distinguished from the music.
Again, if digital is so much better, why are Best Buy and Target continuing to sell LPs while they are dumping CDs? Why are LP sales eclipsing digital downloads? One reason is digital streaming, but the other is that people that don't know anything about the technical bits still want LPs because they 'sound better'. Until you can solve that dilemma, the analog/digital floggings will continue.
do you still think that R2R is the best analog reproduction medium?No, I've never said that. LP is superior since it is lower distortion, lower noise and wider bandwidth. This is why LPs are used to release albums recorded on tape and not the other way 'round.
Raul, you are embarrassing yourself. The problem seems to be that you know nothing about how the industry makes recordings, and even less about the technologies involved. You should try running a recording/mastering operation sometime. When I first started cutting LPs, a good number of things I thought I 'knew' about the medium were dashed. One was how quiet lathe cuts are- they easily rival digital. The surface noise comes in during the pressing process (Acoustic Sounds with their pressing plant QRP has done a lot to solve that problem and now make the quietest pressings in the world). Another is how much dynamic range the medium has, and how low its distortion actually is (the cutter amps usually have about 10 times the power needed to completely toast the cutter head; the LP mastering system has the highest overhead of any audio process; it can't be overloaded like other processes can be). Additional noise and distortion can be caused by the pickup and equalizer (the latter can add ticks and pops that you might think are on the LP surface). But those problems are correctable. I suspect that you are making a common mistake of construing them with the media itself.
Here is my major objection to digital audio: I've gone to many concerts and also played in orchestra and bands. In those situations, if there is background noise like air conditioning, glasses clinking or people coughing, you can listen past them because they are not the music. Similarly, the artifacts of analog (hiss, ticks and pops) can be easily ignored by the brain as well, because those things sit in the speaker while the music is in 3 dimensions.
Digital OTOH imposes audible distortion (caused by aliasing and other problems, interpreted as brightness by the brain, which is why CDs still sound bright even if you have tone controls and turn the treble down all the way) that cannot be distinguished from the music.
Again, if digital is so much better, why are Best Buy and Target continuing to sell LPs while they are dumping CDs? Why are LP sales eclipsing digital downloads? One reason is digital streaming, but the other is that people that don't know anything about the technical bits still want LPs because they 'sound better'. Until you can solve that dilemma, the analog/digital floggings will continue.
