oldschool1948,
The only thing I should change in your post to make it my post is turn Technics SL 1600 MK II into Technics SL Q2. I know that nobody would consider it an "audiophile" turntable but is, as you say, "audiophile" enough for me and has been for 37 years or so. It was expensive to me then, we saved money for a while to buy it, but for 37 years of use it seems quite cheap now. Every now and then I browse to check if there is anything else out there I could waste my money on and I am yet to find something that I would replace my Technics with. I got it when I was 15 or 16 and 37 years of memories no new arm or fine non-jittery highly-praised machine could touch. Perfect it is not, perfect for me it is. The only one that comes close is Dual 1225 with Shure cartridge. The most musical turntable that ever was.
Speaking of old machines that outlived their life expectations, why do true audiophiles not insist on playing music on "period equipment", but instead attempt to make everything "better"? There are performers of classical music that proudly advertise they play on "period instruments". Why is some Stradivari so well-respected a few hundred years from the moment it was produced? Couldn't it be replicated these days with all the technology and science that we have? I have no answers, just a few thoughts.
The only thing I should change in your post to make it my post is turn Technics SL 1600 MK II into Technics SL Q2. I know that nobody would consider it an "audiophile" turntable but is, as you say, "audiophile" enough for me and has been for 37 years or so. It was expensive to me then, we saved money for a while to buy it, but for 37 years of use it seems quite cheap now. Every now and then I browse to check if there is anything else out there I could waste my money on and I am yet to find something that I would replace my Technics with. I got it when I was 15 or 16 and 37 years of memories no new arm or fine non-jittery highly-praised machine could touch. Perfect it is not, perfect for me it is. The only one that comes close is Dual 1225 with Shure cartridge. The most musical turntable that ever was.
Speaking of old machines that outlived their life expectations, why do true audiophiles not insist on playing music on "period equipment", but instead attempt to make everything "better"? There are performers of classical music that proudly advertise they play on "period instruments". Why is some Stradivari so well-respected a few hundred years from the moment it was produced? Couldn't it be replicated these days with all the technology and science that we have? I have no answers, just a few thoughts.