One thing I will say about the new technics 1200g is that it is very neutral. I have not heard a table that pretty much gives you for good or for bad exactly what is in the grooves, no more no less. Every record sounds different. I come from VPI belt drives and after hearing the 1200 G, I have come to realize how the sound is colored by belt drives. They have a sound that is pleasing to the ear, but not as truthful imho. The older tables do have a nice sound, sometimes adding more to what is really there and many homogenize the sound that can be very nice to listen to for many recordings. A good way to describe the sound of the new Technics is accurate, very accurate. Now whether you like that or not is completely personal. I really liked the sound of the Michell Gyro SE for the reasons described above and it was a hard decision and I listened to the VPI Prime, The Aries, SME 20, Linns newer fully decked out LP12, Rega RP8 and none had the immediacy and transparency of the 1200g. The 1200G has a master tape sound that is just whats there, no more no less, simple as that. If you like that, you will love the 1200G, if you come from belt drives and other turntables with colorations, you may have a hard time getting used to a sound that is as truthful as the 1200G and I am sure the newer Technics reference tables. My system is fairly modest considering the systems many have and I cannot imagine how the 1200G would sound on a very high end system. Many think that the soundstage is not as wide as on other tables. Well, if the recording has a narrow soundstage, thats what you will hear, if it has a wide and deep stage, you will hear it just the same. If there was one complaint I would have is I am used to having colored bloated bass and I kind of liked that sound and this table will not give you that. I also wish it was quieter but I can only afford what I can afford.
Technics Sp10 Mk2 vs SL-1200G - I finally did an A/B
Guys, it is payback time. I have asked so many questions here to improve my knowledge or make a good purchase. I should give back now.
This is a topic that is HOT these days. Are the new generation Technics 1200G/GAE and Sp10-R better than the vintage Sp10 Mk2 and Mk3 ?
I have myself asked this question multiple times here. The most common reply was a resounding "Yes" in favour of the new 1200G/GAE. The 10R is still too new and not many have a direct opinion. But in general, even those who have commented on the 1200G vs Sp10 mk2, almost no one has compared them side by side. Some have written based on aural memory, some based on specs and design, and some have written based on pure subjective opinion.
In any case, most of us are very happy that Technics has done it. A very few business oriented minds might be disappointed that their business around vintage Technics DDs would take some hit due to these modern machines.
Since I was in the market for a good high resolution TT to replace my modded Loricraft Garrard 301, I took active interest in the Technics DDs. Overall I was convinced that the 1200G is the machine to look out for. It was clearly favored over the smaller sp10 and more or less compared to the bigger sp10 mk3. I got a brand new 1200G and sent it to Time-Step audio for their Evoke PSU mod. It is a very well accepted mod in the UK markets. In general the Switch-Mode PSU of the 1200G is considered its Achilles heel so this mod was a necessity.
I finally had the 1200G at my home. I won't go into the process of setting up as it was a simple and straight forward one. I used its own Technics tonearm to start with. I tried couple of platter mats but its own default mat sounded fine so it remained. I have 2 cartridges to play, the Denon 103r and Ortofon Cadenza blue. None of them are esoteric stuff, but I find them very neutral and musically "right" sounding carts.
Straightaway the 1200G revealed that it was a more transparent and higher resolution player than the Garrard. The noise floor was lower, inner details more easily heard. Soundstage more precise and layered. Great! There was an extra sparkle to the sound which was quite thrilling. More like going from HD to UHD. What felt a bit lacking was overall dynamics and scale. The 1200G sounded "Compact". The Garrard was like a full blown full scale sound. I let the 1200G run at 78rpm for many hours so that the burn-in process is expedited. I also tried both the auto and manual servo settings to vary the torque and balance of the sound. As I listened more I also realized that the 1200G does not have the fluidity that I am used to with the Garrard or other belt drive TTs I have heard. Notes bloom but die out instantly, followed by a silence before the next note. Something that joins the notes so that it all sounds related was missing a bit. In terms of dynamics, the intensity of an "explosion or a shout" was kind of controlled. That takes away a bit of that startle factor which allows us to get awestruck with our systems. Bass on the 1200G sounded a bit chopped. It did not feel very deep and powerful. I rather felt I am listening to mid-upper bass with average impact. But when it came to details it sounded like a super Cd player in a good way.
I decided to play with the tonearm at this point. I have a 47 Labs RS-A1 tonearm which has its own standing mount. One can just lift it and place it at the right distance so that the under-hang is correct and you are good to go. It is a musical tonearm. Once installed, this tonearm gave the Technics a significant jump on the performance. Especially it made the Technics sound less hifi and more musical, more fluid, more jump factor. Just plain more realistic. But then it brought the same kind of improvements to the Garrard too. I did a lot of comparison shifting this tonearm between the 2 TTs. All my above comments about their differences holds true.
After about 2 weeks and multiple hours of comparison on all kinds of music, I decided that while there are areas where the Garrard lacks and Technics clearly shines, musically Garrard is more realistic whereas Technics is more cerebral. I knew I was going to miss that hi-rez sparkle from Technics but I could only keep one so it has to go. I sold the 1200G. But the curiosity still remained so I bought a Sp10 Mk2.
After there 1200G left my place, the Sp10 Mk2 arrived. I did not have a plinth but I had read on Audiogon that it can be used in the naked form with a suitable isolation like the Audio Technica AT-636 Pneumatic footers. I have those footers so I installed the Sp10 on those footers and used the 47 Labs tonearm with Denon 103r for listening.
In the first 10 secs it was clear the Sp10 Mk2 is a more dynamic player than the 1200G. It sounded more like a Garrard in terms of scale, dynamics and drive. At the same time it was more transparent than Garrard. I had read couple of opinions that the vintage Sp10 DDs has more torquey motor drive. Here I was clearly hearing that. If I enter the room, I would not know which player is playing simply because of the similarity in slam, dynamics and tonality. My Garrard has the audiosilente idler wheel, woodsong audio brake disc and kokomo bearings. It is also driven by a dedicated AC regenerator for a clean AC input. In effect it is a much cleaner and neutral TT than typical Garrards. The Sp10 Mk2 is a less romantic sounding TT overall but it does not feel "compact", "thin" or "bright". It sounds natural, which is a very important trait to enjoy music. It sounds big and punchy without sounding colored or veiled. I have not even installed the plinth yet. My Garrard is still the king in the system but the Sp10 is a good contender with higher resolution and lower noise floor overall.
Guys, I don't know how to put it. I am not here to spoil the party of the 1200G/GAE owners. It is definitely a very complete package. You get warranty, company support, spares and all the peace of mind with the new Technics DDs. But if you are one of those adventurous types deciding between the old school and new gen Technics TT, the old Sp10 mk2/mk3 wins it for me, purely from the sound quality perspective. New technology probably has given the new Technics a bit more refinement but the drive, excitement and immediacy of real instruments still is conveyed best by the grand old boys.
My system:
. Loricraft Garrard 301 (mods: Kokomo mk2 bearing, Audiosilente idler wheel, Woodsong audio brake disc, Funkfirm Achromat, Monarcy Audio AC regenerator)
. 47 Labs RS-A1 tonearm
. Ortofon Cadenza Blue, Denon 103r carts
. Trilogy 907 phonostage
. Berning MicroZOTL 2.0 preamp
. Audio Note Conquest Silver Signature SET monoblock amps
. Tannoy Turnberry SE speakers
P.S: I did not compare the 2 Technics side by side but it was almost back to back as the Sp10 arrived after 3-4 days of the departure of 1200G. Since it was all in my own system, I had a good hang of what they felt like.
This is a topic that is HOT these days. Are the new generation Technics 1200G/GAE and Sp10-R better than the vintage Sp10 Mk2 and Mk3 ?
I have myself asked this question multiple times here. The most common reply was a resounding "Yes" in favour of the new 1200G/GAE. The 10R is still too new and not many have a direct opinion. But in general, even those who have commented on the 1200G vs Sp10 mk2, almost no one has compared them side by side. Some have written based on aural memory, some based on specs and design, and some have written based on pure subjective opinion.
In any case, most of us are very happy that Technics has done it. A very few business oriented minds might be disappointed that their business around vintage Technics DDs would take some hit due to these modern machines.
Since I was in the market for a good high resolution TT to replace my modded Loricraft Garrard 301, I took active interest in the Technics DDs. Overall I was convinced that the 1200G is the machine to look out for. It was clearly favored over the smaller sp10 and more or less compared to the bigger sp10 mk3. I got a brand new 1200G and sent it to Time-Step audio for their Evoke PSU mod. It is a very well accepted mod in the UK markets. In general the Switch-Mode PSU of the 1200G is considered its Achilles heel so this mod was a necessity.
I finally had the 1200G at my home. I won't go into the process of setting up as it was a simple and straight forward one. I used its own Technics tonearm to start with. I tried couple of platter mats but its own default mat sounded fine so it remained. I have 2 cartridges to play, the Denon 103r and Ortofon Cadenza blue. None of them are esoteric stuff, but I find them very neutral and musically "right" sounding carts.
Straightaway the 1200G revealed that it was a more transparent and higher resolution player than the Garrard. The noise floor was lower, inner details more easily heard. Soundstage more precise and layered. Great! There was an extra sparkle to the sound which was quite thrilling. More like going from HD to UHD. What felt a bit lacking was overall dynamics and scale. The 1200G sounded "Compact". The Garrard was like a full blown full scale sound. I let the 1200G run at 78rpm for many hours so that the burn-in process is expedited. I also tried both the auto and manual servo settings to vary the torque and balance of the sound. As I listened more I also realized that the 1200G does not have the fluidity that I am used to with the Garrard or other belt drive TTs I have heard. Notes bloom but die out instantly, followed by a silence before the next note. Something that joins the notes so that it all sounds related was missing a bit. In terms of dynamics, the intensity of an "explosion or a shout" was kind of controlled. That takes away a bit of that startle factor which allows us to get awestruck with our systems. Bass on the 1200G sounded a bit chopped. It did not feel very deep and powerful. I rather felt I am listening to mid-upper bass with average impact. But when it came to details it sounded like a super Cd player in a good way.
I decided to play with the tonearm at this point. I have a 47 Labs RS-A1 tonearm which has its own standing mount. One can just lift it and place it at the right distance so that the under-hang is correct and you are good to go. It is a musical tonearm. Once installed, this tonearm gave the Technics a significant jump on the performance. Especially it made the Technics sound less hifi and more musical, more fluid, more jump factor. Just plain more realistic. But then it brought the same kind of improvements to the Garrard too. I did a lot of comparison shifting this tonearm between the 2 TTs. All my above comments about their differences holds true.
After about 2 weeks and multiple hours of comparison on all kinds of music, I decided that while there are areas where the Garrard lacks and Technics clearly shines, musically Garrard is more realistic whereas Technics is more cerebral. I knew I was going to miss that hi-rez sparkle from Technics but I could only keep one so it has to go. I sold the 1200G. But the curiosity still remained so I bought a Sp10 Mk2.
After there 1200G left my place, the Sp10 Mk2 arrived. I did not have a plinth but I had read on Audiogon that it can be used in the naked form with a suitable isolation like the Audio Technica AT-636 Pneumatic footers. I have those footers so I installed the Sp10 on those footers and used the 47 Labs tonearm with Denon 103r for listening.
In the first 10 secs it was clear the Sp10 Mk2 is a more dynamic player than the 1200G. It sounded more like a Garrard in terms of scale, dynamics and drive. At the same time it was more transparent than Garrard. I had read couple of opinions that the vintage Sp10 DDs has more torquey motor drive. Here I was clearly hearing that. If I enter the room, I would not know which player is playing simply because of the similarity in slam, dynamics and tonality. My Garrard has the audiosilente idler wheel, woodsong audio brake disc and kokomo bearings. It is also driven by a dedicated AC regenerator for a clean AC input. In effect it is a much cleaner and neutral TT than typical Garrards. The Sp10 Mk2 is a less romantic sounding TT overall but it does not feel "compact", "thin" or "bright". It sounds natural, which is a very important trait to enjoy music. It sounds big and punchy without sounding colored or veiled. I have not even installed the plinth yet. My Garrard is still the king in the system but the Sp10 is a good contender with higher resolution and lower noise floor overall.
Guys, I don't know how to put it. I am not here to spoil the party of the 1200G/GAE owners. It is definitely a very complete package. You get warranty, company support, spares and all the peace of mind with the new Technics DDs. But if you are one of those adventurous types deciding between the old school and new gen Technics TT, the old Sp10 mk2/mk3 wins it for me, purely from the sound quality perspective. New technology probably has given the new Technics a bit more refinement but the drive, excitement and immediacy of real instruments still is conveyed best by the grand old boys.
My system:
. Loricraft Garrard 301 (mods: Kokomo mk2 bearing, Audiosilente idler wheel, Woodsong audio brake disc, Funkfirm Achromat, Monarcy Audio AC regenerator)
. 47 Labs RS-A1 tonearm
. Ortofon Cadenza Blue, Denon 103r carts
. Trilogy 907 phonostage
. Berning MicroZOTL 2.0 preamp
. Audio Note Conquest Silver Signature SET monoblock amps
. Tannoy Turnberry SE speakers
P.S: I did not compare the 2 Technics side by side but it was almost back to back as the Sp10 arrived after 3-4 days of the departure of 1200G. Since it was all in my own system, I had a good hang of what they felt like.
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- 123 posts total
@tzh21y we’re starting debates about many different turntables all over again, but the question is pretty simple: SL1200G is better than SP-10 MKII ? The are both made by Technics and considered High-End Direct Drives. But the SP-10 mkII (a separate drive) supposed to be upper class machine, now we have SP-10R in this regard. The next question: Does the SP-10R beats the SP-10 mkIII? Hope will know soon when someone will make A/B test of both. |
@chakster you might have got lucky or something like that. I have been looking to buy a DD for the last 1.5 years. The main candidates were the Sp10 mk2 and Yamaha GT-2000. You can read my previous posts here, I have asked about these TTs many times. Both of them are similarly priced, between $2500 to $4000 for a "excellent" condition unit and also depends on what accessories you get (plinth and tonearm). I was almost sure of getting of a Yamaha but the voltage available is only 100v so I kind of postpone my purchase. For both these TTs I have been going through all the usual places (ebay, hifishark, audio-markt). I even contacted Bill Thallmann to ask if he has a good unit for sale. He had one unit for sale for $2995, without the krebs mods and in a DIY plinth. Here is the picture, please zoom and see: https://s15.postimg.cc/uh7dzpl0r/IMG_1382.jpg Anyway, coming back to the real discussion of which is the better one. True, but to some the 1200G may be better than the sp10 mark II and vice versa. @tzh21y , anyone can prefer any TT, as it is a subjective thing. However, I wanted to eliminate the ifs and buts and hence I bought both of them and compared for myself using the same Tonearm, cartridge and LPs on the same system back to back. The fundamental difference remained a very clear and simple. The force and presence of instruments on the SP10 was simply more real. It pressurizes the room with higher dynamics and scale. It is like going from a $2000 to $5000 CDP. In both the players the level of details would be nearly similar but the $5k CDP presents a more dynamic and bigger picture filling up a bigger space and moreover the throw of the instruments and voices more like a direct cut. It is not about the quality of recording or the mat used or cartridge used etc. It is a simple A > B, especially since both comes from the same stable. Again, it is not to spoil the jubiliance of a 1200G owner. The 1200G has made a dashing entry to the world of TTs. Very rarely do we see such an amazing acceptance of a new kid. Today anyone shopping for a mid-priced TT has or should have a 1200G in the shortlist. But as honest audiophiles we should know where it actually stands. The same goes to Sp10R. Its primary contenders are not so much the older Sp10 but the newer Regas and VPIs. So in that regards it is a new standard that people are comparing everything against. But the old warhorses have not been surpassed IMO. In fact that goes to show the level of understanding those old engineers had about music. |
- 123 posts total