Whizzer cone removal

@ the above 2 posters. Let’s see the driver is a HempTone not a particularly exotic single driver or anything. At just about 3k according to the response graph things begin to start to get pretty squirrelly. I feel like there is a pretty seamless blend between the Fountek’s NeoX 2.0 but I’m no expert. The frequency response kicks in @ 1.2khz for the Fountek. Both speakers share same eff. I didn’t want to try anything there as I didn’t want to hear the tweet seperate from main driver but still utilize its goodness. I don’t know, Anyway I thought I start there and change value if it bugged me but shoot my hearing starts to drop off anyway much past 7k and it sounds pretty good. Thanks for your advice. 

@fourwnds  to make shure you do it right , you have to  operate another
tool , like  RTA system  and measuring microphone , it is not break you 
budget, I know you ears is number one , but you can discovery a lot a good helpful things,   

@bache I will look into this, RTA, appreciate it. I guess it's  time to start getting serious about this, by that I mean seriously funner. I hope. Thanks bud. 

@fourwnds

Agree with bache 100%... this should help Program and Mic

Measure your speakers after you cut the whizzer off, you’ll get a good look immediately where they roll off. Quite easy then to figure where to cross the tweeter.

https://www.roomeqwizard.com/

https://www.amazon.com/Samson-Meteor-Studio-Microphone-Titanium/dp/B00FQE337M/ref=sr_1_39?ie=UTF8&am...

Or Better:
https://www.amazon.com/Audio-Technica-AT2020USB-Condenser-Microphone-Refurbished/dp/B016YL4POK/ref=s...


Both are decent, will definitely get the job done.

@timlub this is great information!  I just picked up a laptop and I'm going to get into this business soon. Much obliged.  Btw, I have since removed the whizzer and honestly I can't tell a bit of difference.  What I can say is that some speaker position refinement, by ear still, is making a dramatic difference(at least to me).  I thought I had it pegged but . . no.  The difference is the channel balance, reverb on the recording and a gestalt overall.  I have for a long time cheated the room with dual vol. control, and since picking up the Decware Torii, I have had to reckon with it.  Such a frustrating pain in the ass, but the difference between something not quite right but very listenable and oh there it is, is really what all the fussin is about