Jazz for aficionados


Jazz for aficionados

I'm going to review records in my collection, and you'll be able to decide if they're worthy of your collection. These records are what I consider "must haves" for any jazz aficionado, and would be found in their collections. I wont review any record that's not on CD, nor will I review any record if the CD is markedly inferior. Fortunately, I only found 1 case where the CD was markedly inferior to the record.

Our first album is "Moanin" by Art Blakey and The Jazz Messengers. We have Lee Morgan , trumpet; Benney Golson, tenor sax; Bobby Timmons, piano; Jymie merrit, bass; Art Blakey, drums.

The title tune "Moanin" is by Bobby Timmons, it conveys the emotion of the title like no other tune I've ever heard, even better than any words could ever convey. This music pictures a person whose down to his last nickel, and all he can do is "moan".

"Along Came Betty" is a tune by Benny Golson, it reminds me of a Betty I once knew. She was gorgeous with a jazzy personality, and she moved smooth and easy, just like this tune. Somebody find me a time machine! Maybe you knew a Betty.

While the rest of the music is just fine, those are my favorite tunes. Why don't you share your, "must have" jazz albums with us.

Enjoy the music.
orpheus10
**** Why didn’t she come back in after the trumpet solo. Seems like something is missing. Part of the tune left off. ****

I get what you mean, but it’s simple; it’s the chosen arrangement. Dealer’s choice, so to speak. I suppose we’re used to having a vocalist sing to the end of the arrangement, but that is certainly not always the case. She sings the song (lyrics) in its entirety; there is no more to the lyrics than what she sings. For her to sing again after the trumpet solo would mean she would have to repeat some of what she already sang, or write new lyrics; not a good option in either case. In fact, they used the old Count Basie arrangement with the addition of an extended trumpet solo toward the end. THAT is probably why you had the reaction that something was missing. The trumpet solos for several choruses followed by the band’s final ensemble statement to finish the tune which makes it all seem like an eternity since the vocalist last sang. This is Basie’s original recording of the same arrangement, but without the long trumpet solo at the end; we don’t miss the vocalist nearly as much:

https://m.youtube.com/watch?v=WEua4jhCBRo

Hope that was enough “agenda” for you 😊
frog -

I could offer lots of other comments but I want to get in Miles’ "Elevator to the Scaffold", soundtrack recording to the French film.
acman, that "Basie's Blues" was a great example that he could play fast, yet still seem so relaxed while doing it.

That tribute to Buddy Guy amazed me.  Hope this is not narrow thinking but I associate the blues with a smaller setting where the performer is basically "confiding" their troubles with the audience.  A smoky room with small tables and an actual bar seems right.  And yet Heart and Beck pulled it off in that big auditorium!  All you had to do was watch Guy's face to confirm that.

In general, lots of great posts lately, keep it up guys and gals.


@The Frogman

Thanks for the explanation.

****Hope that was enough “agenda” for you 😊*****

Can't we all just git along?

Cheers