Jazz for aficionados


Jazz for aficionados

I'm going to review records in my collection, and you'll be able to decide if they're worthy of your collection. These records are what I consider "must haves" for any jazz aficionado, and would be found in their collections. I wont review any record that's not on CD, nor will I review any record if the CD is markedly inferior. Fortunately, I only found 1 case where the CD was markedly inferior to the record.

Our first album is "Moanin" by Art Blakey and The Jazz Messengers. We have Lee Morgan , trumpet; Benney Golson, tenor sax; Bobby Timmons, piano; Jymie merrit, bass; Art Blakey, drums.

The title tune "Moanin" is by Bobby Timmons, it conveys the emotion of the title like no other tune I've ever heard, even better than any words could ever convey. This music pictures a person whose down to his last nickel, and all he can do is "moan".

"Along Came Betty" is a tune by Benny Golson, it reminds me of a Betty I once knew. She was gorgeous with a jazzy personality, and she moved smooth and easy, just like this tune. Somebody find me a time machine! Maybe you knew a Betty.

While the rest of the music is just fine, those are my favorite tunes. Why don't you share your, "must have" jazz albums with us.

Enjoy the music.
orpheus10
Dizzy always makes me feel dizzy in the land of the living dead. This one remains to be one of my favourite's...

Will have to add Olinga on my list too. :thumbs up:


p.s.
orpheus
///As you already know Rok, I detest stylists who do vocal gymnastics when they are totally uncalled for, and on the wrong song.///

Hate to say that I agree. I rarely judge any pro-musician since all of them did certain amount of effort just to perform (and usually they can do much more than it seems) and I appreciate that but in this case, the vocal decoration is over-sufficient. For my taste.

To say more with less...a work of art.
Well, O-10, no sense breaking the streak; since you want to keep track. The live Sarah/“Misty” wins hands down in my book. Don’t get me wrong, she can practically do no wrong in my book, but those two renditions are practically apples/oranges. The live one is jazz trio only, and far more relaxed and evocative; much more in the spirit of jazz.  The studio version...just that. Studio produced; faster, with A LOT of “sweetening”, less intimate. A bit Muzak(ish); what some refer to as elevator music. Different performance environments and as always, she knows the tape is rolling. But, who can argue with Sassy?

p.s.1
Why do I hear this in my head too, when I listen In the land of the living dead?

Am I crazy?

Ale? U registraturi?

https://youtu.be/71_kKzpC67U

https://youtu.be/q3TQKP3y1bI


Frogman, you could have saved that post; although it makes it quite evident as to why aficionados have preferred my musical submissions to yours over the years.