The Heresy III horn damping process is interesting, and worth it if only to make mrdecibel happy depending of course on how important his happiness is to you. They do sound somewhat smoother, and I should have done an A/B test before damping the second horn as I no longer remember the pre-damped sound...meh...these are astonishingly detained speakers, and really come into their own once you really listen to them over time...they will not sweeten a harsh recording, nor should any speaker do that, but with well sorted gear they will allow a truly accurate and coherent representation of recordings into your earballs, which is a good thing. Detail is right there with Heresy IIIs, as I can hear stuff previously buried in the mix...I use a tube preamp and a simple SE tube power amp and they really shine with Heresy IIIs to a degree that nothing among the great speakers I've previously owned can match. Maybe it's the efficiency, maybe it's the horn and crossover design, but these things are absolutely a high end bargain speaker.
Klipsch Forte III--Pleasantly Surprised
First off, I have to say that I always had significant bias against Klipsch speakers. I thought maybe some of the Heritage Series were possibly decent, but in no way audiophile grade.
I recently bought a pair of Forte’s in distressed white oak. They look super vintage and the grills are very tasteful. My impetus for the purchase was I moved to a house this past spring that has a dedicated music room for me, and I wanted to experiment seeking a bigger sound as the room is large (25 long x 15 wide x 10 foot high ceilings). My system is the following:
Winter: Primaluna Dialgoue HP Premium Integrated,
Summer: Schitt Freya, NAD M51
Constant Year Long: Bluesound Node 2, NAD M22 DAC, Manley Chinook Phono Pre, Technics 1200 GAE Turntable, AudioTechnica ART9 Cartridge.
I’m really enjoying the Forte IIIs out of the boxes. I haven’t even tried them out with with tube amps (only tube pre) yet. I thought they would be fatiguing and have tons of bass. The treble spectrum (midrange northbound) is sweet and doesn’t sound cupped. The bass is perfectly integrated but not as prominent as I’d expected. The soundstage is seamless and they are not fussy about positioning.
The other thing that surprised me was how much of the NAD M22 juice I can use. I thought that I’d never move volume much due to the whopping power of the NAD M22--not true. So this is making me curious--what will happen when I hook up my 300B tube integrated? I think it has 8W per side. Will I miss the NAD’s power? That’s going to be fun experiment.
And, it’s going to be super interesting to try the Primaluna integrated with them. I can’t wait to see if I like my KT150s or EL34 variants better.
I’m not going to give some glowing review because it’s too soon and I’ve learned some speakers may sound so so with one system and great with another and even more so with different rooms. There is, however, a big takeaway for me personally: I can use reviews as guides but you have to try stuff out in your room with your stuff to really know. I recently sold a near mint pair of KEF LS50s because my $500 Wharfedale Dentons just sang better with my Creek integrated in the specific room they are in (downstairs system). And that doesn't say anything about the KEFs--they are still amazing boxes.
I recently bought a pair of Forte’s in distressed white oak. They look super vintage and the grills are very tasteful. My impetus for the purchase was I moved to a house this past spring that has a dedicated music room for me, and I wanted to experiment seeking a bigger sound as the room is large (25 long x 15 wide x 10 foot high ceilings). My system is the following:
Winter: Primaluna Dialgoue HP Premium Integrated,
Summer: Schitt Freya, NAD M51
Constant Year Long: Bluesound Node 2, NAD M22 DAC, Manley Chinook Phono Pre, Technics 1200 GAE Turntable, AudioTechnica ART9 Cartridge.
I’m really enjoying the Forte IIIs out of the boxes. I haven’t even tried them out with with tube amps (only tube pre) yet. I thought they would be fatiguing and have tons of bass. The treble spectrum (midrange northbound) is sweet and doesn’t sound cupped. The bass is perfectly integrated but not as prominent as I’d expected. The soundstage is seamless and they are not fussy about positioning.
The other thing that surprised me was how much of the NAD M22 juice I can use. I thought that I’d never move volume much due to the whopping power of the NAD M22--not true. So this is making me curious--what will happen when I hook up my 300B tube integrated? I think it has 8W per side. Will I miss the NAD’s power? That’s going to be fun experiment.
And, it’s going to be super interesting to try the Primaluna integrated with them. I can’t wait to see if I like my KT150s or EL34 variants better.
I’m not going to give some glowing review because it’s too soon and I’ve learned some speakers may sound so so with one system and great with another and even more so with different rooms. There is, however, a big takeaway for me personally: I can use reviews as guides but you have to try stuff out in your room with your stuff to really know. I recently sold a near mint pair of KEF LS50s because my $500 Wharfedale Dentons just sang better with my Creek integrated in the specific room they are in (downstairs system). And that doesn't say anything about the KEFs--they are still amazing boxes.
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- 74 posts total
- 74 posts total