Music Servers VS Excellent Transports?


Well here you go people? A question for my upgrade.
Should I go with an Excellent transport or a good Music server with a digital out. Sophisticated transport VS NO MOVING PARTS?

Considering the Opus Music Server or any of similar calibre.
My ripping and transfer skills are good so its going to be Lossless files with pretty much no compression of data right into my favourite DAC. All are welcome for this topic.
Please do stay withing the realm of the question, appreciate it :) Merry Christmas and happy holidays
rapogee
12-20-07: Audioengr said:
"... Digital is better than most people's experience, actually capable of surpassing the best in vinyl. Did you have vinyl before, or still?"

Steve, I just wanted chime and say I think you're right. I think we're on the cusp of some really great consumer digital reproduction and distribution systems.

I'm heavy into vinyl, new and old, and I've started archiving my D2D and rarer records to 1-bit 5.6MHz on my Korg MR1000. That little thing is incredible. A couple of problems with the Korg are it''s relatively small 40GB HD (can't believe I said that). That's a fine size for live recording, but really limited as an archive at these huge file sizes. Of course, that could be resolved if the Korg were able to "see" an external HD and be used as a player.

Having heard the digital potential, I'm reluctant to archive at lower levels. I do make lossless files to take to the office and put on my iPhone. (The 8G seemed like a lot a few days ago, but at least I have relatively good listening no matter where I am).

Do you think we'll start seeing servers that'll handle SACD/DVD-A levels of rez within the next year or two? Alternatively, will there be high quality universal players that'll be able to "see" HDs?

Dave
Pubul57 - depends on the reclocker. The Pace-Car or the Genesis Digital Lens for instance do not care how much jitter is present in the incoming data stream because the data is stored in a memory. The output clock is independent. Jitter on the input is not seen at the output.

Others that use ASRC (asynchronous sample-rate conversion) will be somewhat sensitive to the incoming data stream jitter since the output clock is dependent on the input clock. Some jitter on the input may be seen at the output.

Steve N.
Empirical Audio
Unclejeff - IME, its' the D/A chip used in the Transporter that gives you this analytical sound. Not my favorite.

Steve N.
Dave - In the next 2 years, the typical WiFi servers and USB interfaces will support 24/96. There are only handful now. I listen to 24/96 every day. 24/192 will be the next big step.

I believe you are talking about 88.2, which is 5.6448MHz, or twice the native CD rate. This is an odd-ball standard. I expect 24/96 to be the next standard because this is what the recording studio masters are.

Steve N.
Empirical Audio
As Steve has said, the slim devices transporter supports streaming of 24/96. In addition the designer has just said on their website that a firmware update is being worked on that will support 24/88.2. There are a few sites where you can download content in 24 bit format.

Walt Shields