Is Digital actually better than Analog?


I just purchased an Esoteric DV-50s. The unit is fantastic in the sense that you can hear every detail very clearly in most recordings. Here is the thing, does it make for an enjoyable musical expereince? With this type of equipment, you can actually tell who can actually sing and who can really play. Some artist who I have really enjoyed in the past come across as, how shall I put it, not as talented. This causes almost a loss of enjoyment in the music.
Which comes to my Vinyl curiousity. I dont own a single record, but I have been curious why so many have kept the LP's (and tubes for that matter) alive for so long after the digital revolution and now I am thinking it is probably has to do with LP's being more laid back and maybe even more musical. Does anyone have any thoughts on this? Would someone recommend going back to Analog. I was thinking of getting a entry level player like a Scout Master.
128x128musicaudio
John is correct. I have sold my Esoteric Dv-50s. I said goodbye to it after watching the Lord of the Rings Special Edition triology. A 12 hour event. The Esoteric is by far the best player via movie soundtracks, but music wise, it was just was too detailed and a bit harsh. Shopping around, I am happy to say I did hear my first very pleasing Vinyl sound demo. It was in Audio Synergey (I'll give them a plug) in Philipsburg, NJ. I listend to a Krell 400XI, Krell Resolution 3 Montiors and he had a Krell 300 CD player and some $200- Czech Record Player. I was quite taken back to how good it sounded, especially for $200-. Sounded great with the Krell gear. I am thinking of going back and getting it and hitting some record stores. I know there is one down in Princeton, NJ that sells records for like a $1-. Once again, thanks to everyone that has responded to the forum. They all seem somewhat enthusiastic.
"They all seem somewhat enthusiastic"

Some more so than others :-)

Do yourself a favor and do not skimp on the phono stage. That can make or break a analogue front-end.

Regards
Paul
Musicaudio,

I agree with Paul about the phonostage. Spend as much as you can on the phonostage. It's a worthwhile investment for now and the future. You don't want your foray into analog cut short because of a lousy phonostage.

From your post it sounds like your looking at getting a Music Hall turntable. I have never heard one personally but I have heard good things from them. Just keep in mind that you cannot upgrade the tonearm on them(at least not to my knowledge). If you really get into analog(as I suspect you might) you will find that the tonearm and the cartridge make a enormous difference in the sound you get from your turntable. Just something to think about.

Congratulations! You have just taken your first step into a larger world. Let us know how it goes.

Justin
I have a question...can any of the analog guys explain why they can only speak about analog, down digital and still pose as experts in on the related topic? Or is this just another "fear what you don't understand" moment?

Certainly not to offend anyone, but it’s apparent that analog is celebrated. One reason is because it somehow validates or justifies the stagnant position in the overall technological advances of your analog systems. It doesn't validate anything for anyone other than you. That’s the beauty of subjectivity though...facts just aren't important and pertinent...even in audio. ;(

I'm just a bit curious because no analog person has yet to explain why one would leave analog anyway...if digital is as bad as the consensus has spoken. Why would anyone even consider the switch, nevertheless post the question, if analog is so superior to digital? I'm only hearing and reading why each individual hasn't grasped the concept of digital. The answers are overly subjective and opinionated, nothing concrete and factual. Granted, everyone is entitled to their own opinions, but I would expect as knowledgeable and respected audiophiles, you have drawn your own conclusions based on fact and not "pseudo-emotional" playback, bad system planning and purchase, or a 3/4 moon in direct phase alignment with Saturn, Neptune, and the planet formerly known as Pluto.

Anyone care to explain?
CDWallace -- Like most things in this material world, it's about money.

On another thread, someone (not me) commenting on thee SS-vs-tube amp neverending story, made the brilliant observation that the sonic qualities of tube amps out-pace SS amps at a given price, until you get up into the megabuck range (Lamm, Levinson, Goldmund, FM Acoustics, darTZeel, Pass, and so forth) at which point it really becomes an absolutely moot issue -- really! It simply takes a lot of money before SS catches up to tubes. My guess why (and it's only a guess) is that folks have been working with tubes longer.

And I think the situation between analog and digital playback is similar. If you spend megabucks on digital, (Wadia, EMM, CDS, Esoteric, Aural Symphonics optics, etc) the analog/digital debate becomes moot again (assuming decent LP/CD software for each.) HOWEVER, if you spend less than megabucks for BOTH your analog and your digital gear, the analog is going to sound better than the digital for the same reason that modestly priced tube gear sounds better than modestly priced SS gear: Analog has been developed and refined for over 85 years vs. digital for barely 30. So of course a MODEST analog rig will smoke a MODESET digital rig. What the hell would you expect!

And though I own great examples of both technologies, and enjoy them equally, I know in my heart that analog has pretty much reached the peak of its development, while digital has only begun to be explored -- just to offer a single "for instance": what will happen to digital audio reproduction when 3-D optical storage becomes available? Think about it.
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