No deep bass or highs: VTF or VTA issue?


Background:

I've been using JM Lab Micro Utopia monitors and recently added a sub (via Bryston outboard crossover). Used my music server to dial in the sub (for convenience) and after dialing it in I noticed that my analog rig is not sounding anywhere as good as my digital.

I tried comparing a few LPs to their digital counterparts and in comparison the LPs sounded dark and sluggish.

Relevant equipment:

Analog:
- Dynavector XV-1s
- Scoutmaster / JMW 9 Signature / SDS / Super platter etc
- Aesthetix Rhea Signature with NOS tubes

Digital:
Music server -> Benchmark DAC

I used a Mint tractor to align the cartridge, and the VTF on the XV-1s is around 2.0g. I had never done anything about VTA, so I tried raising it. It got somewhat brighter, but now in comparison it lacks deep bass AND the highs of the digital version. Switching back and forth it's like the vinyl is just midrange (that's an exaggeration to illustrate my point).

I also have a Manley Steelhead phono stage; I should probably swap that with the Rhea to make sure the phono stage isn't the culprit but my gut tells me that it's the setup.

Any advice on what adjustments to try would be much appreciated.

Thanks.
madfloyd
Madfloyd, if I understand your original post, this bass issue started when you added the capability to your system to reproduce frequencies from about 60Hz on down. I'm assuming that when you say you have "dialed in" the sub using your music server. (I hope those are lossless formats. ;-) ) I assume that means that you have the sub crossed in around 60-80Hz. That is well within what your vinyl rig is able to reproduce if set up properly. No news to you here since you've already started looking into this. What I can't say is how your VPI setup should sound from my own experience.

Damping fluid is usually applied to focus bass but using too much can also detract from the upper frequencies. This could result in the loss of air you mention. Too little could result in little or no weight to the music. I experience this with my Vector tonearm when adjusting damping.

As an outside observer I notice that you seem to be making large swings in your settings. IME that means it is very possible that you are skipping over the sweet spot. I would suggest trying to go back to a very neutral starting point. Level tonearm, around 1.9 VTF (assuming a broken in cartridge), little or no AS, damping fluid at the VPI recommended level. Listen and make very small adjustments from here, but remember that changing one parameter will affect another so go slow. Listen some more. I think you know the drill, but leave the fluid alone until you have determined that you really are getting closer to what you want to hear.

If you add a bit more fluid, I'm talking a few drops at a time, and bass impact improves then try backing off the VTF just a little, a few tenths of a gram, to see if the HF reproduction improves. If you remove a bit of fluid and HF improves, then try adding a tenth or two of VTF. This process of finding the best fluid level can be long, drawn out. Think days and weeks, not minutes and hours.

However, if you are not hearing any bass impact or air from this neutral position then I think you need to realize that there may be a limit to what your table and arm can do. It doesn't sound to me like the cartridge (assuming it is healthy) or any other components are in question. For any given combination of CDP and turntable it is entirely possible that one will outperform the other.

Also, I don't think you have mentioned where and on what your table is sitting.
Is it possible that the "air" you are hearing from the CDP is an artifact of that rig, and not necessarily a "better" thing?
In response to the last couple posts:

- My music server is not lossless (shame on me, I know, but it was established a few years back when hard drive space wasn't as cheap). That being said, it's not overly compressed. My recollection is that CDs sound better - brighter with more air.

- I think the salient issue is 'air'. The integration of a sub hasn't caused this in any way, it just caused me to notice the difference between the two sources as I used the music server to dial it in (not only more convenient, but safer since there are no setup variations to throw it off).

- I'm using Micro Utopia monitors which are much more detailed than my previous speakers (Aerial 9's). In some ways I'm finally hearing the high frequency detail.

- If the air I'm hearing from digital is an artifact: I don't think so; I feel I'm hearing more detail. For example, when playing Deacon Blues (Steely Dan/Aja) the beginning of the song has some gentle taps on cymbals that on my analog rig I hear mostly the transient while on digital I can hear the cymbals shimmering with reverb. I can hear clean rhythm guitar on the choruses clearly on digital and on analog it's more buried.

- I have made sweeping changes, but wasn't trying to dial it in so much as see what types of changes were possible - e.g. could I make it sound TOO bright? I would have expected that raising the VTA would have made things get much brighter, but all it seemed to do was affect the amount of bass. And this is with drastic changes in VTA... leading me to believe that slight changes wouldn't do much at all. I was also trying to follow the Walker approach (raise it until bass drops out, then lower it a bit).
I should add that I have no issue with taking my time to dial the TT in with small changes at a time - but when I go to the extremes and don't hear much of a difference, it isn't overly encouraging.
Here is a link to a white paper that another A'goner referenced several days ago. I think the concepts presented in this paper will help explain why your theory of what large changes show is full of holes. So don't despair yet.

Vacuum State GuruSetup

What you describe as shimmering from your digital source is, as Piedpiper points out, not correct. I've used that term incorrectly myself so I'm not sure I understand exactly what you are talking about. Shimmering implies something is being added and is most likely an artifact. What you want is that strike and long decay from cymbals. I'd be curious to compare your music server to a decent redback cdp.

At the same time I think I understand what you're saying about the cymbals on Deacon Blue's. I'll pull out my copy today and get more familiar with your reference.