Dynavector DV 20X-L -- which MM will better it?


Hi,
following some of these MM related threads, which MM will better DV 20X-L performance?

I know this cart and would say, it can have tight punchy bass (arm dependent), but is NOT up to the better LO-MCs in terms of treble resolution, or detailedness. Sounds like MM territory, or is this an insult?

On some German forms about older MMs, I read some very favourable comments about the Shure V15 with MR stylus...
Is that that best recommendation for this system, and would this compare with the 20X-L?

I did run a Shure V15 years ago, but am not sure it had an MR insert --- the rest of my rig was not what it is today :-) ha, ha.

Thanks,
Axel
axelwahl
Hi Al,
you say:
>>>Grado Reference Sonata.... it has been well reviewed <<<
This little voice in the back of my mind tells me it was some (all?) Grado's that don't like doing sibilants so well.
My system is highly resolving and I have 'some' issues as it is using an MC right now.
Care to comment on this one please.
Thanks,
Axel
Al,

I had SoundSmith redo the regular, (non ruby) version, but it really doesn't matter because they replace the cantilever with a ruby one anyway. The F9 cartridge BODY is the same, just the stylus is different. You could send them either one of your styli.

I have owned all of the Grado wood body carts except for the Statement Statement and never warmed up to any of them. My problem was that they require a pretty long break-in period and I just could never get that far.
I've also got a Grado Reference Sonata and find it has some occasional problems tracking highly modulated inner grooves with my VPI JMW9 arm. Not a frequent problem, but it is annoying all the same. Admittedly, the Grado does have a very relaxed and beautiful sounding midrange. In contrast, the Garrot Optim FGS has a more linear character that doesn't make one aware of a particular frequency region standing out in comparison. It's upper midrange to treble is much more satisfactory to my ears, more linear and detailed. You're not going to think it's a top flight moving coil, but it sounds "right." Axel mentions siblilants as a problem, which was greatly helped in my set up with the addition of a small tweak. I ordered a sheet of part # vds-0040-e vibration damping sheet from smallparts.com and cut a pad to go between the cartridge body and headshell. I traced the outline of the headshell onto the pad, cut it out, & drilled mounting holes. It's a very thin .040" sheet that functions quite effectively to reduce vibrations in the cartridge body. Sibilants became much cleaner with every cartridge I've used it with.
MoFi & Photon -- Thanks for the good comments and info!

I haven't noticed any tracking problems at all with my Reference Sonata. I have it mounted on a 1980's Magnepan Unitrac unipivot tonearm, on a SOTA Sapphire turntable, and I'm using the recommended tracking force, 1.5g iirc.

Axel -- I haven't noticed any problem with sibilants, although most of my listening with it so far has been to non-vocal classical music. It did seem to handle some of Dame Kiri rather well, I thought. It sounds like your system is more resolving/less forgiving/less soft in the upper midrange and treble than mine is, though.

I believe this cartridge has received a couple of TAS Editor's Choice selections. Stereophile reviewed it and/or its mono variant in Vol. 21 No. 6, Vol. 23 No. 4, and Vol. 28, No. 6. I don't have those reviews handy, but the October, 2008 (Vol. 31 No. 10) issue lists it as a Class C recommended component, and includes the following comments:

... Hints at what an expensive mc can do.... No cartridge reproduces a female voice better than this.... It may be difficult to rationalize spending much more for a cartridge.... Competes with all but the best of today's moving coils

Regards,
-- Al