Technics SP-10 Tonearm Pod instead of Plinth/Base


Trawling through the Audiogon forums for information on a suitable Plinth for a Technics SP-10, I came across a post by Raul.
Instead of putting the SP-10 in a plinth, he just put the TT on three feet and then had constructed a separate base that only housed the tonearm. (I haven't seen a pic of this BTW)
Following on from Raul's 'Thinking outside the square' approach, I thought I might be able to buy, or have made, a stand-alone 'pod' or rectangular tonearm plinth that could sit along side the SP-10. Has anyone seen something like this that I could buy 'off-the-shelf'?
The advantage of this is that the tonearm is decoupled from the TT and therefore distanced from any vibrations generated by the TT.
A down side is getting the right geometry for the tonearm in relation to the distance from the spindle; and then keeping the pod in the right spot.
If this is all too hard, I might still go with a plinth. I notice an E-Bay seller in Taiwan is offering a Teak plinth cut for the SP-10. Anyone bought one of those?
All comments welcomed!
dsa
Hey everyone. Read this blog (which what I should have done earlier)

'SP10 Mk II vs Mk III'

BTW Has anyone tried the afore mention cement or plaster plinth?

I hope someone at Panasonic is reading this blog. They might get the idea to reissue the SP-10 with updates for the 21st century. Think about it: They probably have all the manufacturing equipment still and the design start-up costs have paid for themselves years ago.

SP-10 MK4 or 5? **BRING IT ON!**
The SP-10 MK 4 would have to sell for $20,000 or much more and would therefore only sell a couple thousand units at best. Companies like Panasonic are not interested in offering products with such limited appeal.

The original high end tables were statement pieces inspired and funded by a burgeoning turntable business that was selling millions of low end units. Those days will never return.
Good points, Macrojack. Then, rather than re-inventing the wheel, follow the example done many including Origin Live. Buy the parts from the manufacturer and 'build' a 'new' DD turntable. Geez, they put Ford engines into exotic cars (Aston Martin- yeah, yeah Ford owned it at the time), and Toyota engines are tweaked and used by Lotus.

Even the standard SL1200 Mk2 can be made to sing (Dave at Sound Hi-Fi UK, KAB in the USA). Then why not either (a) buy the bits from Panasonic and 'make' a deluxe version (decent plinth, external PSU etc) or (b) Bulk buy the SL1200, use the parts and do the same. In this economic climate, Panasonic just might be all ears....
Business is all about returns and there is simply too little upside to justify the necessary outlay.

Kevin at KAB told me that the motor is what keeps the SP-10 performance beyond the reach of anything that could be done to improve the 1200.

You have to understand that all of the high end audio sales worldwide in the last ten years wouldn't add up to a good month at Panasonic. We are a small niche market. When the classic, direct drive statement pieces were manufactured, stereo was a growth market and every family in America was buying a sound system. These were comprised of two speakers, a receiver, a turntable, and sometimes, a cassette deck. Variations on this standard existed but they were statistically insignificant until the 1980s when high end audio began to erupt. As this was happening, CD was being introduced. After just a few years, the L.P. had been pushed aside by the recording industry and turntables went with it. The small resurgence we are seeing now will never grow too much but I like its chances better than what CD is looking at.
Downloads are killing it.

So your best bet is to offer me an unconscionable amount of money for my SP-10 and modify it as you see fit. I'm not presently planning to sell but my head can be turned by figures.

Just trying to maintain useful perspective.
Macrojack, I don't know about you, but I have been able to determine that most of us are old farts. What happens when we go to the happy LP hunting grounds, as far as the value of these turntables? I wonder how many of us are under 50 years old, for example. I worry about the resurgence of vinyl in the long run, if there is a long run. Well, I actually have more important things to worry about, come to think of it.