Brinkmann Bardo

Lespier,

Many people have done DIY with the EDS motors. From a service standpoint, capacitors C5, C6, C7, C8, and C9 can be replaced. You can basically use 4 sheets of 3/4" birch plywood, make a 5" hole, mount the motor, measure your spindle to arm distance, put it together, and perform a full setup. The shape of the plinth is your immagination. Maybe a modern tear-drop shape? If you want it to be beautiful, when you're done, add 3/4" mahogany to the top, round the edges, and use marine varnish to seal it. Wet sand between coats. Your choice if you want glossy or satin finish. For an armboard, use a standard Canadian hockey puck. The properties and composition of it make for an excellent isolator. If you want to get it more beautiful, finish the sides in flamed maple veneer. I regret to say I'm not familiar with the Revox TT's, but know much more about their reel to reels.

Sorry for off topic, Regards

Hiho Chill mate

I was specifically talking about the Brinkman so called white paper, how they lumped all DD's into the $100 Japanese DD's they were referring to.

It has nothing to do with my turntables - however they are the only tables I can compare to Brinkman's generalisations.
Guess what, Lew does not hear those generalisations either with his DD's.

It is wonderful you can get Dual EDS,Lenco or your Kenwood table that are clearly in another league than the $100 japanese mass market DD's that Brinkman were lumping all DD's into.
Hence my comments

Audiofeil

Nice to see you have been doing some calculations for me on time I have saved, however I am guessing you know that was not the main point of my Q.

To add to Glai's question.

How does the Brinkman DD sound compared to their more expensive belt driven big brothers?

cheers

Wjsmax, I agree with your assessment of the potential of the Artemis table. This is the first bit of fresh thinking re belt drive to have hit the market in a long time, and besides being "fresh", it is also "good" thinking about how to reduce "belt creep". (You can use a tape as a substitute for most any belt, but its how they arrange the drive system that is so innovative.) It has received very little attention from the audio press, probably because it is not flashy. No chrome, no smoked acrylic, no revolving balls of metal. Please let us know what you think of it.

Nevertheless, I don't see how you can dump on the Bardo unless you've heard that one as well.

Downunder: "Hiho Chill mate"

Fair enough. Let's get back to talking about turntables and other fun stuff.

I am sure the P3 is wonderful as I have owned several Pioneer models before. And one thing I noticed is that Pioneer bearings are always excellent quality, especially their Stable Hanging Rotor (SHR) motors, compare to many competing designs (Sony's BSL motors uses plastic to hold the bearing well!!). Not to mention very reliable electronically. Their PL-L1000 linear tracking table is one clever design, same motor in their higher models, but the whole thing is mounted on a piece of suspended plastic!! I always thought if they could go for the whole nine yard and mount that onto something more solid and substantial, it could be a killer. That's why I gutted the motor out and made a plinth for it. It was then I realized many quality inexpensive direct-drive turntables with great motors and potentials being stifled by their awful plastic plinth and flimsy tonearms. I guess they reserved all that for their flagship products like the P3, so I have no doubt the P3 is an amazing product and it looks super cool, especially when in Robocop nude.
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