Vinyl reissue labels to avoid?


There is a wealth of music being reissued on vinyl, but not all labels are equal.

There are some excellent vinyl reissue labels that use original anaolg sources and produce very good lps such as Analogue Productions, Speakers Corner Records, RhinOvinyl, Classic Records, Impulse!, Sundazed, etc.

Then there are some dubious EU labels that use cds as "remastered" sources from 50+ yr old recordings due to copyright loopholes (Doxy and WaxTime come to mind). I don't want 180g cds!

Some labels I now avoid:
WaxTime
DOXY
Not Now Music
Jazz Wax Records
Scorpio

Who should we be avoiding, and who should we be buying? I am only interested in 33rpm lps, which we flip as they were meant to (as opposed to the 45rpm reissues which may sound good but take us from sides A&B to 4 unnaturally truncated sides).

For 33rpm reissues, who are the good, the bad, and the ugly?

toronto416
"Ben Webster meets Oscar Peterson" sounds wonderful on CD, and the CD sourced Jazz Wax reissue probably also sounds good despite the compressed source material.
This same album was reissued by Speakers Corner, with analogue remastering, and it sounds stunning. It is still currently available.
If you buy it, it would be interesting to hear your impressions of how the Speakers Corner reissue compares to Jazz Wax. You might be pleasantly surprised.
I have issues with a number of the Rhino re-issues. Dead sound. I'm not impressed by the sound or pressing quality of the Roxy Music re-issues on the From the Vault series, either. Need to check each re-issue on a one-by-one basis. The Simply Vinyl re-issue of Dylan's Blonde is outstanding. I heard that Simply vinyl can get most UK master tapes but not US. Anyone else?
When some of the Simply Vinyl reissues sound "terrific", buy the CD
and compare :-)
In my last 20 years I hardly found a Reissue which was better overall than its
Original. Or let's say it the other way, when you have a good sounding Reissue
you can bet your car, wife, house, dog... that the original (and its later copies)
will be easily on par.
What all those reissue guys can do, is to hold it (at best) or to ruin it (also
possible).
In the early days there was a big difference compared to today, the guys at the
tapes, in theStudios did know their job very well (in general), some were
outstanding and the vinyl process was generally done better. This knowledge is
down today.
Reissues are ok when you want to listen to music which is very expensive - or
ultra rare - in its original Pressing (RCA Living Stereos, Deccas..in mint
condition) and Classic Records made a pretty good job in the 90's. Speakers
Corner have the advantage of quiet vinyl but that's all, the mastering is really a
few classes below the originals.
Chad Kassem is the only one who really has a Standard which is top class, he
really tries to do something useful (and make money with it, but in a good way).
But Cat Stevens, Pink Floyd, Freewheelin' Bob Dylan for 35$ and more??? When I
can buy a mint 360 Columbia pressing for 5$? By the way, I compared, 5$ can
be worth more than 35$ ... :-)
alot of the reissue movement boils down to marketing and simply reselling what many audiophiles already own...i have original pressings of Steely Dan, Eagles, Santana, Floyd, Supertramp, Queen, etc...and for the most part have been pleased with the results...the extra 20-30 bucks per reissue for at best a marginal increase in quality is not good value in my book....