To those with multiple tables/arms/cartridges


How do you 'play' your system?
For 30 years I had only one turntable, one arm and one cartridge......and it never entered my mind that there was an alternative?
After upgrading my turntable nearly 5 years ago to a Raven AC-3 which allowed easy mounting of up to four tonearms......I decided to add two arms.
RAVEN
A few years later I became interested in Direct Drive turntables and purchased a vintage 30 year old Victor/JVC TT-81 followed shortly after by the top-of-the-line TT-101 and I designed and had cast 3 solid bronze armpods which I had lacquered in gloss black.
TT-101
By this time I had over 30 cartridges (both LOMCs and MMs) all mounted in their own headshells for easy interchange.
STORAGE

Every day I listen to vinyl for 3-4 hours and might play with one cartridge on one arm on one table for this whole day or even two or three days.
I then might decide to change to a different arm and cartridge on a the same table or perhaps the other.....and listen to the last side I had just heard on the previous play.
I am invariably thrilled and excited by the small differences in presentation I am able to hear....and I perhaps listen to this combination for the next few days before again lusting after a particular arm or cartridge change?

Is this the way most of you with multiple cartridges/arms listen?......or are there other intentions involved?
128x128halcro
Dear Lew, Some time ago I was shoping with my dad on those street markets in Serbia. My dad was always haggling. 'What do you ask for those tomadoes' he asked the farmer. The farmer: '50 cent per kilo sir'. My dad: 'you probably think that I am Rockefeller'. Have you any idea what only two of those Einstein 'cilinders' cost? You probably think that I am Rockefeller able to buy 4 of them.
OK, I am no Einstein, and neither of us is a Rockefeller. So is there some other model made by Einstein that supports two phono inputs without buying 2 or 4 cylinders? (Do you need four cylinders to do two tonearms in SE mode? Four cylinders could do two tonearms in balanced mode, unless indeed each cylinder can only do one channel in SE mode. Perhaps that is the point I am missing.)
My Manley Steelhead has 3 phono inputs and a line input that can take another phono input for a total of 4. front panel R and C and gain plus variable output gain, remote control and tubes for a lot less than $15,000. Who could ask for anything more.
Hey Mab33,
I notice that you own both the Technics EPC100 Mk3 and Mk4?
Would you be kind enough to describe the differences as you hear them?

Also....are you running the TT-101 nude or in a plinth?

Regards
Henry
Dear Lew, It may help when we know what we are talking about. I have no pretention whatever to explain anything about 'input connections' of any kind. I was wondering about this 'wonderful 4 input switcher' because this was somehow contradictory to what 'Einstein who is not Einstein' told me when I asked for only one more on those
'cylinders', which btw cost about $10000 together. Your advice to buy two more and solve this way my problem caused
my association with Rockefeller as well with my dad's
peculiar way to haggle with farmers on the market. BTW those '50 cent per kilo' are not invented but the were the true price of tomadoes then. Why my dad thought tha for such a price one need to belong to the Rockefeller family
is an anigma for me and probably for others. But, as Henry
olready noticed, this Nandric like to tell stories.