Subwoofer ratings by Widescreen Review mag


This forum receives a number of inquiries about "which subwoofer should I buy". There are a number of technical and practical (size, cost, etc.) issues which must be considered by anyone looking for a good subwoofer, but I don't intend to try to cover those considerations here.

Widescreen Review magazine conducted a series of subwoofer evaluations between 1997 and 2000 (which obviously leaves out some of the most recent models). I thought that readers might find a list of the "top twelve" subs rated by WR to be a useful starting point when contemplating the purchase of a new/used subwoofer. You will note that this list does not include the REL brand, since none of them were reviewed in this group of articles. The reviews, however, did include the Sunfire "True Subwoofer" Mk 2, which finished in the middle of the pack of the 50 subs.

The review articles rated 50 subwoofers for 12 factors, and scored them from 5 (highest) to 1 (lowest) on each factor. The rated factors were: music (ability to faithfull reproduce music); effects (ability to faithfully reproduce LFE); impact; tonal definition; overhang (tight vs. flabby bass, with tight being the desired property); rhythm and pace; midrange coloration; enclosure integrity; distress (how the sub performed under severe stress); subjective deep bass; ability to play at 105db or louder at 35 Hz; and ability to reproduce 25 Hz frequencies cleanly.

The highest possible score for a subwoofer would be a perfect 5.0. The subs are listed below, in alphabetical order:

Only one subwoofer had a perfect 5.0 score:
1. Linn AV 5150 (price: $4200)

The best group of subs had nearly perfect scores, with only a few factors rated less than 5, and none lower than 4.0. When looking at the average score, you should also note the price when making comparisons:
1. Bag End Infra-18: average = 4.92 ($2400-2900, depending on finish)
2. B&W ASW4000: average = 4.71 ($3000)
3. Earthquake SuperNova Millenium 15: average = 4.71 ($2000)
4. Energy ES-18XL: average = 4.875 ($1700)
5. Mirage BPS-210: average = 4.92 ($1700)
6. Mirage BSP-400: average = 4.71 ($1300)
7. M&K MX-5000THX: average = 4.83 ($2500)
8. M&K MX-700: average = 4.67 ($1400)
9. Vandersteen 2Wq: average = 4.83 ($1300) (this sub is specifically intended to be used in pairs, which would increase its average score to that of V2W)
10. Vandersteen V2W: average = 4.96 ($1300)
sdcampbell
i saw this, & was disappointed that vmps was not included. my retail $699 vmps larger sub (a bit more $$$ for their options, which i highly recommend), are so much better than what i've heard at even four times the price... w/vmps you need your own outboard x-over & amplification, but this is an *advantage*, imo - much more flexible, & better electronics.

my present subwoofer set-up set me back ~$2400, & this included two optioned vmps larger subs, a deluxe version of the marchand xm-9 x-over, & two adcom gfa555 amps (one purchased new back in '84). i wouldn't trade it for a pair of top-line velodynes or rels...

ymmv, doug s.

Thanks for the comments, guys. I own a pair of Vandersteen 2Wq's, and can say without qualification that they are an excellent and MUSICAL subwoofer. As Sean noted, the alphabetical list I compiled has the Vandy's listed last, whereas they would have been near the top of the list had I compiled the ratings based on scores. A caveat, however: the Vandy 2Wq's are really intended for use as a stereo pair, particularly if they are going to double as LFE subs for HT. Further, they use a special crossover between the preamp and the power amp, and to perform at their best requires the main speakers to be close to full-range, providing an octave of overlap both above and below the crossover point for the subwoofer. Hence, since the crossover point for the 2Wq subwoofer is 80 HZ, the main speakers should have flat response from 160 Hz (1 octave above the 80 Hz X-over point for the sub) down to 40 Hz (1 octave below the 80 Hz X-over point for the sub). This degree of overlap is necessary if the 2Wq is to integrate to best advantage with the main speakers.

As others also noted, it would be nice to see how the REL, VMPS, and other "audiophile" subs performed in these tests, but they weren't reviewed. What I did find interesting was that some of the subs rated highly by Stereopiles were NOT rated highly by WR mag. Most, if not all, of the subwoofer reviews in WR were performed by Richard Hardesty (formerly of Havens & Hardesty, one of the leading high-end audio dealers in the LA area before the partnership disbanded). Hardesty is generally known for honest, even blunt, commentary. He recently resigned his position as Equipment Editor for WR magazine, and now publishes an interesting online audio journal called "The Audio Perfectionist".
Great information. Sdcampbell, you mention that there are others that were rated highly by Stereophile but not by WR. I'd be very interested to know some of those since I don't subscribe to WR. Maybe you could list some of the highlights that really stand out to you as "shockers". It sounds like this was a very fair and balanced review...dare I say "objective"??
I'm on the same page as SD. I too found somewhat "contradictory" information jumping back and forth between the reviews in WR and in other audio based mags. Given the way that the WR reviews were handled, i think that i would trust their opinions a little higher than some of the others. It did come across as being a little more "controlled" or "even handed" in terms of the results. Keep in mind that they DID test the Sunfire's ( as previously stated ), a couple of Velodyne's and Paradigm's, Hsu's, etc... Quite honestly, i was pretty surprised by some of the results going by all of the other "reviews" that i've read.

Kind of funny how we were all disappointed about the same subs not appearing in the "subwoofer showdown"( Rel, VMPS, etc..). I would have also liked to have seen them test some Dunlavy subs as they use 4 drivers ( either 10's, 12's or 15's ) and are sealed with low Q's. Should be very tight with great extension and volume capacity due to all of the cone area. As to the VMPS, i've always heard that the sub was great but my listening experience with older full range VMPS floorstanders left me wanting. While the bass was extremely potent, it was also VERY muddy and lacking in definition. I wanted to see if Brian aka "Big B" had made any progress in that area. Tossing Bill Duddleston's "no way to get around displacement" Legacy subs into the picture would have been nice too. Oh well, you can't have everything handed to you on a silver platter : )

As to Hardesty's online efforts, is that a "public access" website or subscription only ? Got an address for us lazy folks ??? Sean
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Great information. Too bad they missed the two subs generally considered audiophile faves, the RELs and the ACI Titan IIs. I'd also be interested in seeing a "comparison" against the opinions in Stereophile