08-21-14: Dweller
Ptss: So you're saying that most of everything emanating from a symphony orchestra can be reproduced by a five inch driver?
I think we're just brain-locked into the current paradigm and are waiting for our "Einstein" to show us the way to the next level.
We've been shown various paradigms concurrent with the development of the loudspeaker. Klipsch horn loaded everything starting in 1949. The electrostatic has been around since 1919 and has had a presence in high fidelity since the mid-'50s. The Magnepan has been around for 45 years, and the Heil air motion transformer has been in production for 44 years. Even within pistonic loudspeakers, there are variations such as high excursion drivers, line arrays and other arrays of multiple drivers, downfiring woofers to couple with the floor, transmission lines, etc.
Personally, I choose the planar magnetic. My humble Magneplanar 1.7s have 509 sq. in. of diaphragm area per speaker, and in my experience provides a decided advantage in preserving clarity and voice placement in larger works, such as full scale orchestra plus 100+ voice chorus.
Each of these driver designs presents strengths and weaknesses unique to each design. We're left to pick our poison.