FR66s vs Ikeda IT-407 CR tonearms


Has anyone compared the FR66s to the newer Ikeda IT-407 CR1 tonearm? Any thoughts? In previous years, the Ikeda was available with either copper or silver internal wiring but the recent models don't mention anything about the tonearm wiring. Can anyone comment what type of wiring is used in the latest editions? It would seem intuitive that the later Ikeda IT407 should be a better performer than the FR66s having improved material and bearings over the FR66s but the proof is in the hearing.
ddriveman
Whether the FR66S is transcendent or not, at least some of the impetus behind the rising prices is collector driven. This does not mean that the FR66S is not great. But you are right, Ddrive, to keep an open mind vs the Ikeda. I am satisfied myself just to have the FR64S with B60. I think the B60 not only immeasurably improves the convenience factor but also improves performance by providing a more massive base and a good energy sink for any vibrations that sneak back down the tonearm.
Lewm and Halcro

I am very satisfied with the FR66s. In fact, through the years, while many others arms have come and gone, the FR was my first arm and still remains. I sold 3 FR64s to get the funds to move to the FR66s. It remains my favorite for the SPUs, Koetsu, FR7f/FR7fz and Ikeda 9.
In the mini review of vintage cartridges with my friends, we confirmed the advantages of Ikeda 407 vs Schick but was unable to compare Ikeda 407 vs FR64s. We had an FR64 available but that was below the Schick. But we understand that the FR64 is not the same as FR64s.
I am thinking of getting another FR66s but as you know they are hard to find and costly. OTOH, the Ikeda 407 is available, cheaper and performed quite nicely in our listening sessions. BUT, I have heard comments that there is also a difference between old and new (after Ikeda retired in 2012/2013) generation 407. Hence, my original post.
I guess I can find another FR64s but then is the Ikeda 407 better or equivalent to FR64s. Some have commented that the difference between FR64s and FR66s is very marginal. Any thoughts.
Ddrive, You have a severe case of audiophilia nervosa, but so too do all of us. The differences among the tonearms you mention are in all probability minuscule compared to the differences among cartridges and the differences in the amount of audio information that can be retrieved from one LP vs another LP. When I see one of those $150,000 turntables, I have to laugh to think it will at some point be used to play a $5 LP that was likely "pre-owned" 20 or more years earlier by someone with an el cheapo "record player" and cartridge. Serenity now!
Have you done the Krebs mod on your Mk3? If so, what do you think?
Yes, I have done the Krebs mods on my SP10mk#. BTW, I have 2 units of SP10mk3, both with Krebs. It seems to make it sound quieter and more fluid.
Thanks, Ddrive. I guess there is a Krebs mod in my future; I own one "unit" of SP10 Mk3 that has been thoroughly updated and mounted in a massive slate and cherry wood plinth. I can hear a qualitative difference between it and my Kenwood L07D that may have to do with "fluidity", but I am still only thinking about the mod. R Krebs is a fine guy, however.

What headshell(s) do you and others use on your FR64S/FR66S??? The headshell is a major part of the equation, very major.