Isolating the listening chair?

I have not experimented with the chair, yet.
However, I have installed what I call the "Cone of Sound" which can be lowered over my speakers and chair to provide total isolation from all room acoustics. Kind of like having the world's largest headphones. I can't even hear the significant other pounding on the outside! Ahhhhh!

Newbee, you busted me right out of the gate. I didn't think that I could affect the ernest, wide-eyed, prose that infuses the endless Audiogon threads singing the praises of magic pebbles, magic clocks, magic ICs, magic tobacco and Patricia Barber's recorded legacy. My summer laugh clearly did not get too far. Like getting dental work done in Indonesia and getting so drunk that I take home a woman sporting more facial hair than my dog, I must add bluffing in a poker game with my Audiogon buddies to the list of things that I must forever avoid.

For the record, I have only a couch in the listening room, no chair at all. I have not owned tube gear for the last six years (I need to get that one taken care of), and yes, I was taken by a bit of ennui yesterday.
Marty Kohn
Portland, OR

you should try platform shoes...you know the kind that porn stars wear...the soundstage comes into focus more...but , the wife acceptance factor is a bit questionable !!

I did the Cryo thing too, but then followed with the 800 degree heat treatment. Didn't work too well with the Maple frame! Whod'a thunk?!?

Hi All,

Just to bring this thread back to some serious discussion - it would not seem that isolating the listener from the floor by use of vibration control devices would not be appropriate. If the objective of an audio system is to reproduce the experience a person has listening to live instruments it could be argued that the listener in the live situation is normally receiving the vibration from the floor of the performance hall. It might be further argued that removing the floor's vibration from the listener's experience during audio system reproduction would make it more difficult to recreate the original experience.

We know that vibration and resonance audibly changes the signal the audio system is reproducing. It seems clear that if we are attemting to faithfully reproduce the music captured in the recording we must eliminate as much as possible the vibration and resonance from the system's components.

Best,

Barry