Guys, I'm not one who believes there is a uniformly best anything for any
particular situation. There are always trade-offs to a design, and there are far
too many differences among listener preferences.
I will agree that an active preamp provides easier integration into a wider variety
of systems due to impedance matching and amplifier sensitivity, and in my
experience, not that it means a damn thing, an active preamp has usually
provided a larger "jump" factor to the music. Now, whether this
"jump" factor is faithful to the recording is another matter, but it's
not always a priority to some listeners.
particular situation. There are always trade-offs to a design, and there are far
too many differences among listener preferences.
I will agree that an active preamp provides easier integration into a wider variety
of systems due to impedance matching and amplifier sensitivity, and in my
experience, not that it means a damn thing, an active preamp has usually
provided a larger "jump" factor to the music. Now, whether this
"jump" factor is faithful to the recording is another matter, but it's
not always a priority to some listeners.

