SACD - Dying already?


I just read the industry blurb in this month's TAS which described how it seems the stream of SACDs from Sony has pretty much dried up. I was in the largest local independent record store in my area last week and actually bought a SACD because it was music not available on CD. The SACD/DVD-A section was a bit smaller than a year ago and I asked the manager about it. He laughed and said they only sell 2-3 a month combined and he doesn't order many anymore.

Except for audiophiles, is anyone buying these things? Or, are all hopes and dreams of SACD slowly fading away (for at least Sony)?
tomryan

Showing 4 responses by rex

My point was that a result of Sony's business decision was to cause confusion among the public, slowing the growth of hi-res digital.

When I have talked about SACD with my non-audiophile friends and acquaintances, EVERY SINGLE ONE OF THEM has said, "SACD? What's that? I've never heard of it."

Amongst that same group of people, if I mention DVD-Audio, they all think I'm talking about concert DVDs or movie soundtracks. They have no idea that there might be special music-only DVDs.

So I ask you: how can something the public has never even heard of and doesn't even know exists cause confusion?

The "public" isn't confused about hi-rez digital, because the "public" isn't even aware of it.
Well, jdaniel - your theory sounds quite clever, but there's one small problem with it:

The companies that are the driving force behind SACD and DVD-A (Sony/Philips/Warner/EMI/Universal/BMG etc.) are all still firmly entrenched in what you call "1980's pre-internet thinking."

It shows in their distribution model, it shows in their profit/loss model, and it clearly shows in their total inability to understand how the Internet has changed music and music distribution.

So here you are accusing the consumers of antiquated thinking, but it's the companies making hi-rez possible that are engaged in the antiquated thinking; they still think that mass market = life, not the consumers.

Contrary to some others here who are waiting for a "clear winner" in the hi-rez format war, I don't think either will "win." It's entirely likely that both will be abandoned by the majors. EMI has already said that it sees little movement in SACDs and none in DVD-As.

Ultimately, the Niche Market as you describe it will prevail - there is a demand for hi-rez digital, and it will be filled by someone. It may not be the companies everyone here wants it to be though.
jdaniel writes:

Rex: EMI doesn't manufacture SACDs...yet. They are looking into it.

Well, that's weird - I guess the EMI SACDs in my collection don't actually exist. They must be a figment of my imagination! Perhaps you're right - maybe I dreamed that I bought them, and maybe they don't clearly say "EMI" on them.

Then again, since other people own them too, and they are readily available on the market, and the #1 selling SACD in the world is an EMI SACD, perhaps you're wrong. I think that's more likely.

One more thing: DSD is a digital encoding technology, not a format. Just because someone uses DSD to encode a recording does not mean that there will ever be an SACD version of that recording. There are DSD recordings that have been released as Redbook-only, and there are a number of DSD-mastered vinyl LPs.

Dmitry - it's hard to argue with what you're saying; however, the "mass market" companies produce a lot of music that I and others like to listen to. They do occasionally produce a quality product, and quality products deserve to be released in hi-rez. If they stop because of a perception of no market, then all that will be left is obscure music by obscure musicians on obscure labels. I like "Favorite Chinese Instrumentals" as much as the next guy, but I do want some variety. ;-)
I'm not surprised that your friend's store isn't moving SACDs. Why would anyone pay $24.99 for a disc that they can get at Best Buy or amazon.com for $14.99?