speakers for classical music


Would like to hear from classical music listeners as to best floorstanders for that genre. B&W 803's sound good but want to get input with regard to other possibilities.
musicnoise
Chadeffect said:
"You make the point that if you cant afford a full range speaker then make do with the compromise of a mini monitor. Well maybe, but come on, if you are an audiophile how can you compromise on extension? I dont think so. Also remember the question did ask for floor standers... Headphones anyone?"

You just spent the whole post about the glories of the compromised Maggies. (In my view, compromised in both extension and dynamic potential). How can now say that such a compromise isn't an option for an audiophile???

Maggies a few things very, very well and I understand why many are attracted to them. I would just caution, if you're leaning toward Maggies make sure that you can do without bass extention and dynamic range.

With mini-monitors I would caution to make sure that you can do without extention. (Depending on the speaker you might not give up a lot of dynamic range, but that'll take power also).

Come to think of it, the OP never gave us a budget did he, other than to imply that 803s were in range.

Headphones indeed, an excellent option IMHO for anyone that wants "it all" on a budget. You actually can get everything but the flapping pants legs from headphones.

Dave
Shadorne, from my minor experience. . . JRDG 7M delivering max 170A peak ad damping factor of 170 is borderline for controlling bass drivers of Vienna Mahlers. At 1000, JRDG 501s and 312 seem just about right. . . Nuforce at 4000 is perhaps overdampening them. JRDG further indicated that the 301 monos with damping factor of 60 may end up a little loose on Mahlers. . . hence my concerns about MC402. . . I'll be glad to be proven wrong if someone can test the configuration in question.
Shadorne, from my minor experience. . . JRDG 7M delivering max 170A peak ad damping factor of 170 is borderline for controlling bass drivers of Vienna Mahlers. At 1000, JRDG 501s and 312 seem just about right. . . Nuforce at 4000 is perhaps overdampening them.

My point is that you can't control them any further than having an amp with 0 output impedance (although you can go negative but that is another story).

Damping of 4 is equivalent to output impedance of 2 Ohms whilst 40 is equivalent to 0.2 ohms whilst 400 is equivalent to 0.02 whilst 4000 damping is like 0.002....so the difference is very small as all the last three are basically pretty much all a short. So the natural mechanical/electrical damping of the voice coil and mechanical suspension + air suspension will really begin to dominate as you go above 40 damping from the amp.

However, what you observed means it still has an audible effect which suggests the speaker design is probably underdamped.
HI Dave,
there is an issue with volume in the bass with the smaller Maggies, but not to the point where they are that compromised. But the quality of the bass and the pluses like the open midrange, treble extension, inner detail and naturalness for classical music would be very tempting.

I do take your point about dynamic potential. A good amp can help that to a point, but for sure a frustration in their design along with size.

The problem of knowing a budget becomes so important. But I guess as the 803 is mentioned we are talking about $2500. You would get a hell of a pair of headphones for that!

Chadeffect said:
"...about $2500. You would get a hell of a pair of headphones for that!"

Absolutely, agreed.

Davd