Richardkrebs
My view on a stereo system is that it is just a machine. Actually lots of machines chained together to give an output based on inputs. As such it is logical and the output is predictable provided we have sufficient understanding of the machine. ( none of us have sufficient understanding )
Richard - from what I have learned about you, IMO you are one of the few in this hobby that can build and repair your own amps, preamps and TT’s, etc... Fair statement?
As an amateur hobbyist I have my ears and memories of trial and error experiences. I agree with you that the actions and reactions that are happening are more predictable to a degree with some knowledge gained. I also agree that none of us have sufficient understanding. If anyone really did word would get around, and there would be a long audiophile line up at the persons door asking for help.
Now consider this perspective. I refer to the Quad 57 speaker again just as an example.
I have tried multiple amps with them (SS and Tube) out of curiosity; then one day after more research I discovered that Roger Modjeski designed his RM 10 amplifier around their specific needs. I already had his larger RM9 amp which I tried with them briefly, but was concerned about damaging them. Anyway cutting to the result - I now power them with an RM10 and could not be happier. So what I think I have based on what I hear is an amp whose outputs meet the specific needs of this unique speaker. There is a harmony and effortless sound that can be heard. Now consider this.
I have placed these 57’s in 4 different rooms with identical gear in front of the Rm10 amp and the 57’s. One room had hardwood floors, one was tiled, 2 were carpeted. Some rooms had drapes, other s only drywall and some pictures. One had wood panelling on one side. Their dimensions all varied and two of them opened up into other rooms.
Four different music perspectives resulted in the sounds as far as the music presentation goes. This was all with the same CD player. Now add in vinyl with all its variables to the mix...... The stereo system is a slave to the space/room -imo.
Just to be clear here to the readers regarding my impressions I have given. We have been discussing refinements and tweaking for the ET2. In the last 10 years I have owned an ET2 and then added a ET 2.5. In stock form as designed – out of the box this tonearm remains my reference.
And fwiw - The greatest sonic bump with the ET2 came for me, when I introduced air delivery with no (very little) resonance (at the pump) and 19 psi was achieved. The ET2 tonearm setup so far for me has been 40% actual tonearm setup fine tuning, and 60% air delivery tweaking. I am sure with the continued info from this thread it will become 50 – 50 soon.
Cheers

