Tenor Hybrid v. VTL MB-450 Sig.


I am planning on replacing my VTLs with the Tenor stereo 150 hybrid . Since I will not be able to hear them first and since they are a substantial outlay over what my VTLs are worth, I am hoping that some of you may have heard both. Would you mind characterizing the differences that I should expect to hear? I have Merlin VSMMs, a First Sound preamp, and an Audio Logic 24mxl DAC. Other amps that I am considering are the Joule VZN-100s, or a CAT JL2. My pre-purchase buyers remorse is that they will be better but maybe not commensurate with the extra cost. I am aware of the higher cost/diminshing returns reality. However, from what I have read, these hybrids seem to be a huge step up. If I audition a piece and hear an improvement that meets my personal cost/benefit ratio, I buy it. So, with no personal experience with the Tenors, I am finding it is a bit difficult to make the leap to buy the most exp. piece of gear in my system. Any input you may have is greatly appreciated. By the way, JTinn and I have had several conversations about this subject. He had been very helpful and generous with his time. In this post, I am looking for more of a comsumer point of view.
brooksl
Yes indeed, it is all about the goosebump factor and that is all we can hope for. Audiophiles always remind me of greyhounds chasing the mechanical rabbit or Cubs and Boston fans, what would they do with themselves if they won the Series?
Just gotta laugh out loud as it so hard to even get goose bumps.....Guess if it was easy it would take the fun out of it....If I get the size and venue right I feel I have achieved something with my gear and wires......
Zaikesman, I didn't tell Crump to keep quiet, I told him to show some class and to offer constructive input regarding the topic of the thread or move along. Up to that point he had failed to address the topic of this thread. Finally, he did and I agree with his advice about amps. I disagree about just recommending a sub without even asking about the room first. But that is not the only assumption Bob has made in this thread - i.e. that the poster has room for larger speakers.

I may be old fashioned, but I think it is a but unbecoming for a "manufacturer" to make the sort of comments about other manufacturers that Bob did. Particularly when they are based on opinion, not fact. And particularly so when the comments fail to even address the question being asked. It just seems to me to be a bit tasteless on his part. But there is no accounting for good taste, and I suspect I should not expect it.

Corona, I have thought more about my comments and I stand by them, thanks.
Jim2, Brooks1 lives near Chicago in one of the most affluent areas so doubt his room is a closet.......I always thought it was fine for a manufacturer to offer opinions regarding something he neither sells nor makes....Sorry to be so tasteless and I'll try to limit my comments to gear you don't own in the future.......
I have been keeping an eye on this string and have a few things to add.
Robert, you are judging all VSM Millenniums by the ones heard at Rhyno's home and this is a mistake. His speakers were wired with the S harness. This version is voiced to be the antithesis of certain types of amplifiers that are both SS and tube. It tends to embellish the middle portion of the bandwidth to flesh out the music core. It does make for better image density but produces a more forward and less deep and wide presentation. Under certain situations they can be made to sound unbalanced, forward and somewhat truncated in the extreme treble and bass. By crossing the speaker over at 100 Hz you would again set the balance to lean and forward side by unweighting the natural balance of the VSM. That is why my subwoofers (which I will release when I am ready to increase my production) will cross over at 30 Hz at 12 or 24 dB per octave.
The T version of the speaker is not voiced and is much harder to lean out. It is capable of producing much more ambient information because it is more fleshed out in the extremities and thus, by comparison, relaxes the mids. This T version actually sounds quite a bit larger and tonally richer than the S version. And latter versions of the speakers with the 6th toe mod, tuning pucks and ERS materials sound even more relaxed, uniform and fleshed out making them sound even larger and more believable again.
The latest version of the VSM, the MX, sounds even fuller and considerably larger again so it is doing an absolutely fantastic job of recreating size and venue.
I am a big fan of Dr. West's electrostats and Andrew's Rockports and recommend them routinely for larger room applications. But, there is no doubt in my mind that the VSM has a special place in this market for normal sized living enviroments and in fact rooms of in excess of 5000 cubic feet with attention being paid to the tonal virtues of the wires and electronics.
I think you make fabulous products Bob but in my opinion they work much better with the latter T version of the VSM Millennium and the MX version than what you heard them on.
Happy New Year!
Bobby@merlin