Why no Tori Amos


One last bit of pondering. Why was Tori Amos' "Little Earthquakes" album never given the star treatment it deserves? The album has great arrangements with full orchestration and is one of the best female singer/songwriter/pianist albums of the past few decades. I know she copied a lot of Kate Bush's style (as did Fiona Apple) but it IS a breakthrough album and atleast Kate was issued on Japanese.
imin2u
Great conversation folks....thank you! Man, what a different approach we have Ben. The respect is mutual, yet I'm still struggling a bit to understand your perspective. I actively avoid reading criticism, especially about the arts. No, I'd put little to no weight at all on a person's knowledge and experience where judging music is concerned for the very reasons that have come up here. I don't consider myself necessarily well-read and up-to-date and so thoroughly educated regarding music as yourself and perhaps many others here, and that is a most deliberate choice on my part. Yet in no way would I let that stop me from sharing my opinion on a subject I am passionate about. The only way that knowledge and experience may pay a part in my respect for another's opinions about music, is if I knew the person had a history of appreciating similar things as I appreciate. Beyond that one's knowledge of musical history as well as having one's finger on the pulse of current trends and artists means absolutely nothing to me for the very reasons that I've already cited: None of that head-trip has anything whatsover to do MY appreciation of the experience of music.

The high-end hardware criticism is another matter altogether. There I would lend some credance to experience and knowledge as there is a far greater amount of objectivity mixed in with the tremendous subjectivity. In the judgement of the arts it is just the reverse, IMO. High-end gear is subject to so many variables in creating the synergy that makes the magic that, even if you had the best advice, the gear you purchase may not necessarily sound good to you in your room, to your ears, with your music. I would still think observations like "tubes blow SS away" to be patently ignorant and a sign of a lack of experience, lack of perspective, or both (and I'm not speaking about the literal content of that statement at all, but the essense of the statement, or perhaps the intent). However, as much as I read similar statements over and over here on A'gon, they do not bother me as much as the objections I've brought up here for some reason. I guess it just seems much more ridiculous to me to think one can objectively categorize music into "better and worse".

Some interesting observations Wildoats. I would however suggest that you determine for yourself what you prefer and need no one else to tell you - in fact, no one else can tell you what YOU think is good or bad. It is not something to be learned because it is entirely relative to the individual. On a far more simplistic and perhaps more objective scale, as I've pointed out: Someone with vast experience here on the Gon' who's been in this hobby many decades, reads all there is to read, has degrees in acoustical engineering, etc. can tell you what they know, and pass on what may seem like wisdom of great value, given their experience. They can tell you with certain assurity that Au24 speaker cables are the answer you've been looking for given your system and your preferences. You go out, find a pair at a good price, and set out to compare them to say the $90 pair you got from member "DIY555". To your ears, in your system, in your room, with your music, those DIY cables somehow sound better than the $800 pair of Au24's. Yet you were advised by an seasoned expert......what gives. It happens......all the time!! Now that's an example in an area with a certain degree of objectivity. Music has no such leaning.....appreciation of music is entirely subjective. There are no figures or graphs to be plotted, no statistics or numbers to look at, unless you care about popularity contests which I don't give a rat's ass about. Why the f%^$ would I need anyone advising me what is good and bad in something so subjective as music. Again, the only credance I may give such advice would be if I knew my tastes ran similar to the one advising me, but I'd still not lend any respect to statements like "Kate blows Tori away".

I'm going to have to think about this one some more as it is getting late.

Regards,

Marco
I can be satisfied with my gear because it sounds good to me. I can also audition other equipment if the need or desire arises. Mostly because I can listen to a large amount of very good equipment in a not too long of a time.

However, I need help with music. Not because I don't know what I like, but because there is so much out there. If I here mostly bad things about a piece, I'll go listen to the ones I hear mostly good things about. There just isn't time to listen to everything and there has to be a way to separate the wheat from the chaff. Other people's critiques help me do that. That is the main value I get from reading other peoples opinions. Without that I'm alone in the vast wilderness without a compass.
I agree, Wildoats; constructive criticism and comments about music can certainly provide some guideance in the vastness of what is out there. However what I was suggesting is that you need no one to tell you "Kate blows Tori away". Were you to follow such advice and just listen to only one, you'd be missing out on some very rich possibilites of musical enjoyment IMO. A compass is fine if you know how to use it , and where you are, and have some idea of where you may like to go. I would suggest that following advice to the nature of some of the criticism I've objected to in this thread would be not at all like using a compass, it would be like putting on a pair of blinders and being lead on a path like a donkey.

Regarding your equipment: Precisely! The point I was making there is that absolutely NO ONE can tell you what DOES sound good to you. ONLY YOU know that. What sounds good to me in gear may not sound at all good to you. If you put my speakers into your system, you may think I was nuts for listening to them, yet I think they sound wonderful. So again, what use would it be to follow my lead if I were to say "Horns are the only way to go as far as speakers are concerned", with the caveat that I've been in this hobby for twenty plus years. Following such advice on face-value is absurd. However I do believe, as I said, with the gear there is a greater degree of objectivity, so an educated guess may be more helpful than an "educated" guess in the realms of enjoying music (far more subjective IMO)

Marco
Marco I've had a few glasses of wine tonight,I'll get back to you tomorrow with some thoughts............
Apologies as this thread has now went off topic.

Marco there is a lot of different angles to this,really well written criticism/analysis is an art form in itself.
Admitedly these types of music books are few and far between but I would cite the likes of Greil Marcus Mystery Train and Ian McDonald's fantastic Beatles book Revolution In The Head as two examples of how good the genre can be.

It's a personal thing,part of my personality I suppose however you need to understand it is only for information it does not affect at all the experience of listening to the music.
It amazes me at times on Audiogon how uninformed many members are about what music is available to them, this doesn't neccesarily relate to what is new in the music world but also in many cases the best available recordings/reissues of classic material.
Indeed on my music of the year thread a fellow member didn't even know one of his favourite artists had a new record out.

My take on music Marco is that I try to hear a lot of what is available and test my tastes,see how far I can go and I found a lot of great music that way.
Of course there are many "mistakes" along the way,artists and records rated highly by the press that do nothing for me.
I just love to hear new music and keep myself informed,I do it for myself and have done for the best part of 26 years during which time I've never stopped reading the music press.
You would be wrong also if you thought I considered them to be great all the time,they aren't a lot of the time but that's a different subject in itself.

I would consider you are missing out on a lot of music with your approach.

The historical aspects,biographies are just an off shoot of the fact I enjoy learning about the context in which great music was created,it's very seldom that it adds much to the enjoyment of listening to the music.
To me this is no different from reading anything else,there is good and bad writing.

I'll finish with a story, I kept reading about Nick Drake over the years in the music press,seemed like a lot of hype to me but eventually I bought a compilation of his.
I fell in love with his music,I love it he's now probably one of my favourite artists.
However I get lost in the music when I listen to him now and how I found him is irrelevant but what is undoubtly true if music writers hadn't kept writing about him he'd be lost in obscurity.

Reading about music and putting together a high end system are not the main thing for me.
It's the music that counts.