D-SONIC SOA Class-D Core Amps. The best Class-D ?


Owner/Designer Dean Deacon of D-Sonic in Houston in recent months dropped using the B&O ICE amps which he now only uses in the surround channels of his multi-channel home theater amps. He now uses a new Class-D amp in all of his Magnum2 mono and two channel amps which he states is the most technically advanced Class-D amp on the market, called the SOA Class-D core amps. The recent review in 6Moons of his new M2-1500M amp concludes its the closest that Class-D has ever come to tube amps in the upper mid-range and high frequencies.
Anyone bought or heard recently the D-Sonic M2-1500M or the M2-600M? What are your opinions?
audiozen
Audiozen, I'm not challenging your exuberance for your D-Sonic, any other class D amplifier, or your anticipation of what they might become. I'm on my fourth switching amplifier myself.

Yes, I want my tube amps to sound like tube amps yet there are some tube designs that are voiced to extremes that do not appeal to me. No, I don't want my studio monitors rolled off at the extremes or embellished at any point in between which is why I'm thrilled with the truly proprietary design nCores.

Currently there is a fundamental difference in distortion characteristics between tube and solid state, weather it be linear, switching, hybrid, or using DSP modeling, as I mentioned earlier. I'm somewhat pessimistic that this will ever be overcome. On the other hand if it is then I agree, the maintenance of a tube amplifier will become an important factor for many tube users to switch to what many consider the class D'ark side. I will be one of the first to do so.
Whats the point?..Stratehed..check your tickets..I think you got on the wrong Airplane..the main focus of this thread is to highlight the engineering advancements in Class-D topology during the past several years such as in house designed switching devices from Abletec, Nuforce, Audio Research, Philips/Hypex, and how these variations of pulse modulation methods have improved the sonics of
Class D amps compared to the more traditional PWM amps that have been around for years. The biggest Class D brute on the market is the Marten M-Amps from Sweden using Abletec amps. They have massive power supplies and very large transformers, weigh a 100 pounds each, run cool and cost a whopping $40K a pair. I dig as deep as possible speaking to engineers from a variety of companies, but the most reliable source to get the most honest and accurate assessment of these products is not from the magazines, but from the many Audiophiles who purchase these products and give their evaluations on many forums and threads on sites in Europe, Asia, and the States that are just as well respected as Audiogon. I communicate on these sites daily as well as other Gon members to get a much broader picture of the current landscape of high end audio. I predict that the most talked about and exciting Class D product of the year will be the new Theta Prometheus Class D amp which has been delayed but should be available shortly. It was sad to see Ice H2O go out of business because Henry Ho's Class D amps with major upgrades with his large transformers and large capacitor banks were very promising.
Got an email from Dennis Deacon with D-Sonic today acknowledging my talk with Abletec that he's using Abletec amps. He evaluated and listened to Class D amps from different companies including Hypex and found the Abletec amps superior.
Ahem. Audiozen, just want to set the record straight and that is H2O AUDIO has been and still is around...Alive and kicking :-). H2O have never went out of business. Not sure where you read that but I just want to set the record straight. And thank you for the praises. While I still have all of your attention :-) I'm willing to send a stereo H2O amp with all the latest and greatest tweak for a tour if anyone or a group of you is interested. Thanks